Frida Kahlo buralarda! 69 y\u0131l \u00f6nce bedenini b\u0131rakan ruhunun sanat\u00e7\u0131lar, t\u00fcm kad\u0131nlar, insanca ya\u015fam i\u00e7in m\u00fccadele edenler , dansedenler, sanatseverler ve ya\u015famseverlerin aras\u0131nda kanatlar\u0131yla dola\u015ft\u0131\u011f\u0131n\u0131 kolayl\u0131kla hayal edebiliriz\u2026<\/p>\n\n\n\n
Kahlo’nun 47 y\u0131ll\u0131k k\u0131sac\u0131k ya\u015fam\u0131 s\u00fcrekli m\u00fccadele,yo\u011fun , \u00fcretken, eylemli, ac\u0131 ve a\u015fk dolu ge\u00e7ti. Hakk\u0131nda yaz\u0131lanlar, film end\u00fcstrisi ve pazarlamac\u0131lar sayesinde pop\u00fcler bir ikon haline d\u00f6n\u00fc\u015ft\u00fcr\u00fcld\u00fc. Kahlo’ya, eserlerine ve miras\u0131na bunca y\u0131l sonra bakarken yarat\u0131lan post-modern toz bulutunun i\u00e7inden onu temsil eden ana damarlar\u0131 se\u00e7ebilmek gerek; sanat\u0131na adanm\u0131\u015fl\u0131\u011f\u0131, kad\u0131nl\u0131\u011f\u0131, ger\u00e7ekle kopmaz ili\u015fkisi, \u00e7elik iradesi, \u00f6zg\u00fcrl\u00fc\u011f\u00fc ve sevme kapasitesi… Ya\u015fam\u0131n\u0131n k\u0131sal\u0131\u011f\u0131na, onu y\u0131llarca hasta yata\u011f\u0131na \u00e7ivileyen kaza ve hastal\u0131klar\u0131na ra\u011fmen insanlara halen ilham kayna\u011f\u0131 olabilecek yo\u011funluktaki ya\u015fam\u0131 belki kendi ba\u015f\u0131na bir sanat abidesi olabilir. G\u00fc\u00e7l\u00fc iradesi ve sanat\u0131, \u00fclkesine ve k\u00fclt\u00fcr\u00fcne sevgisi, ilerici politik duru\u015fu ve eylemleri, kad\u0131nl\u0131\u011f\u0131n\u0131 s\u0131n\u0131rs\u0131z deneyimlemesi, a\u015fklar\u0131n\u0131n yo\u011funlu\u011fu, ac\u0131ya dayan\u0131kl\u0131l\u0131\u011f\u0131 -ki san\u0131r\u0131m o da ya\u015fam\u0131n kendisine duydu\u011fu derin a\u015fkla ilgili- ve bedenini hi\u00e7 terketmeyen ac\u0131y\u0131 d\u00f6n\u00fc\u015ft\u00fcrebilme becerisi; t\u00fcm bunlar bizleri de birer “Los Fridos” yap\u0131yor ve esinleyerek bu muhte\u015fem insan\u0131, kad\u0131n\u0131 halen ya\u015fat\u0131yor, g\u00fcndemde tutuyor. Belki d\u00fcnya ko\u015fullar\u0131 da buna yard\u0131mc\u0131 oluyor; bir as\u0131r sonra halen kad\u0131n ya\u015fam\u0131n\u0131n ve haklar\u0131n\u0131n yo\u011fun sald\u0131r\u0131 alt\u0131nda olmas\u0131, y\u00f6netimlerin temel insan haklar\u0131n\u0131 hi\u00e7e saymas\u0131, bitmeyen b\u00f6lgesel sava\u015flar, ultra-sa\u011f partilerin Avrupa’daki geli\u015fimleri, d\u00fcnyada ve yak\u0131n \u00e7evremizdeki tutucu ve bask\u0131c\u0131 rejimler kitleleri ve bireyleri “al\u00e7\u0131ya” al\u0131p hareketsizle\u015ftirmek istiyorlar.<\/p>\n\n\n\n
Ruhunun kanatlanmas\u0131ndan 69 y\u0131l sonra bu ayr\u0131ks\u0131 ve \u015fahane sanat\u00e7\u0131 kad\u0131n\u0131 yedi de\u011ferli sanat\u00e7\u0131 kad\u0131n\u0131n eserleriyle anmak istedik. Sanat\u00e7\u0131lar\u0131m\u0131z Frida ile bir diyalog i\u00e7ine girerek resimlerini \u00fcrettiler. Onu d\u00fc\u015f\u00fcnd\u00fcler, dinlediler, okudular ve hissettiler. Burada sunulan sergi bu diyalogun bir sonucudur. \u00fclkemizden alt\u0131 ve Kahlo’nun \u00fclkesi Meksika’dan bir sanat\u00e7\u0131 Frida’dan duyduklar\u0131n\u0131 veya ona s\u00f6ylemek istediklerini g\u00f6rsel dile ve k\u0131sa metinlere d\u00f6kt\u00fcler.<\/p>\n\n\n\n
Frida y\u00fcz y\u0131l \u00f6nce kendini bir kal\u0131ba sokup hareketsizli\u011fe tutsak eden her\u015feyle m\u00fccadele ederek, bu m\u00fccadelenin bedelini de g\u00f6z\u00fcn\u00fc k\u0131rpmadan \u00f6deyerek ya\u015fad\u0131klar\u0131yla t\u00fcm insanl\u0131\u011f\u0131 esinledi\u011fi gibi, kendimize aynada bakarak sorgulamay\u0131, \u00f6zele\u015ftiriyi ve ne yapmam\u0131z gerekti\u011fini hat\u0131rlatan bir mihenk ta\u015f\u0131 olmay\u0131 s\u00fcrd\u00fcr\u00fcyor.<\/p>\n\n\n\n
Attila G\u00fcll\u00fc<\/p>\n\n\n\n
Ocak 2023<\/p>\n\n\n\n
B\u0130YOGRAF\u0130<\/strong><\/p>\n\n\n\n Sema Barlas<\/strong><\/p>\n\n\n\n 1954’te \u0130stanbul’da do\u011fdu. 1960 y\u0131l\u0131nda ailesiyle \u00f6nce ABD, sonra Kanada’ya g\u00f6\u00e7 etti. 1979 y\u0131l\u0131nda Ottawa School of Art’tan mezun oldu. 2000 y\u0131l\u0131nda heykel dal\u0131nda Turgut Pura Vakf\u0131 J\u00fcri \u00d6zel \u00d6d\u00fcl\u00fc’n\u00fc ald\u0131. Resim kategorisinde Expo Art 2016 D Category Gran Premio Europa \u00f6d\u00fcl\u00fcn\u00fc ald\u0131. Sanat\u00e7\u0131n\u0131n son d\u00f6nem \u00e7al\u0131\u015fmalar\u0131nda yer yer sembolik bir anlat\u0131mla, bazen de d\u0131\u015favurumcu yakla\u015f\u0131ml\u0131 portreleriyle, yapageldi\u011fi \u00e7oklu fig\u00fcr esteti\u011finin yerini daha tamamlay\u0131c\u0131 olan tekli fig\u00fcrlere b\u0131rakt\u0131\u011f\u0131n\u0131 s\u00f6yleyebiliriz. Portrelerdeki dura\u011fan hallere kar\u015f\u0131n y\u00fcz ifadelerindeki hareketlilik, \u00f6znenin veya sanat\u00e7\u0131n\u0131n kurgulad\u0131\u011f\u0131 karakterine ili\u015fkin g\u00f6zlem, \u00f6nerme ve g\u00f6ndermelerle doludur. Sanat\u00e7\u0131 resim \u00e7al\u0131\u015fmalar\u0131na \u0130zmir ve Ottawa’daki at\u00f6lyelerinde devam etmektedir.<\/p>\n\n\n\n Elvan Serin<\/strong><\/p>\n\n\n\n 1985 y\u0131l\u0131nda \u0130zmir\u2019de do\u011fdu. 2009 y\u0131l\u0131nda Bilkent \u00dcniversitesi G\u00fczel Sanatlar B\u00f6l\u00fcm\u00fc\u2019nden lisans derecesini, 2013 y\u0131l\u0131nda Yeditepe \u00dcniversitesi Plastik Sanatlar B\u00f6l\u00fcm\u00fcnden y\u00fcksek lisans derecesini ve 2021 y\u0131l\u0131nda da Hacettepe \u00dcniversitesi Heykel B\u00f6l\u00fcm\u00fcnden Sanatta Yeterlik derecesini ald\u0131. 2015 y\u0131l\u0131nda Gen\u00e7 Sanat Projesi \u00f6d\u00fcl\u00fcn\u00fc alm\u0131\u015f olup, yurt i\u00e7i ve yurt d\u0131\u015f\u0131nda konuk sanat\u00e7\u0131 programlar\u0131, yaz okullar\u0131 ve \u00e7ok say\u0131da karma sergide yer ald\u0131. Bunlardan baz\u0131lar\u0131; Nevnesil grup sergisi, Mamut Art Project, Galeri Apel grup sergileri, Meleklerin Pay\u0131 grup sergisi, Salzburg Yaz Akademisi, Affect Agora Berlin konuk sanat\u00e7\u0131 program\u0131 ve Neum\u00fcnster seramik sanat\u00e7\u0131 program\u0131d\u0131r. Halen Bilkent \u00dcniversitesi G\u00fczel Sanatlar B\u00f6l\u00fcm\u00fcnde yar\u0131 zamanl\u0131 \u00f6\u011fretim g\u00f6revlisi olarak \u00e7al\u0131\u015fmaktad\u0131r. Do\u011fadaki olu\u015fumlar\u0131, formlar\u0131 ve de\u011fi\u015fimleri detayc\u0131 bir \u00fcslupla ele al\u0131rken, bu dili \u00e7e\u015fitli malzemeleri birle\u015ftirerek uygular. Malzemenin kendisinden \u00e7ok nas\u0131l bir bi\u00e7imde i\u015flendi\u011fine, s\u00fcrece ve s\u00fcre\u00e7 boyunca ya\u015fanan d\u00f6n\u00fc\u015f\u00fcme vurgu yapar.<\/p>\n\n\n\n \u00c7i\u011fdem Bucak Telli<\/strong><\/p>\n\n\n\n 1958\u2019de Antakya\u2019da do\u011fdu. \u0130lk, orta ve lise e\u011fitimini Adana \/ Ceyhan\u2019da tamamlad\u0131ktan sonra, Ankara Gazi \u00dcniversitesi\u2019nin Resim b\u00f6l\u00fcm\u00fcnden1979\u2019da mezun oldu ve 1980\u2019de resim \u00f6\u011fretmeni olarak g\u00f6reve ba\u015flad\u0131. 2000 y\u0131l\u0131na dek bir\u00e7ok e\u011fitim kurumunda sanat e\u011ftimcisi olarak g\u00f6rev yaparken, at\u00f6lyesinde kendi sanat \u00e7al\u0131\u015fmalar\u0131n\u0131 da s\u00fcrd\u00fcrd\u00fc. 1992\u2019de Talim Terbiye kurulu, Resim ihtisas Komisyonunda g\u00f6rev ald\u0131. Ayn\u0131 y\u0131l FRTEM (Film Radyo Televizyon ile E\u011fitim Merkezi) de de \u00e7al\u0131\u015fmalarda bulundu.1995\u2019de MEB taraf\u0131ndan Bilim-Sanat \u00f6d\u00fcl\u00fcn\u00fc ald\u0131. 1994\u2019y\u0131l\u0131nda Sanat E\u011fitimi konusunda incelemelerde bulunmak \u00fczere Polonya\u2019ya gitti ve edindi\u011fi bilgiler do\u011frultusunda haz\u0131rlad\u0131\u011f\u0131 raporu Ankara G\u00fczel Sanatlar Lisesi y\u00f6netimine sundu. Bu rapor do\u011frultusunda yap\u0131lan uygulamalara da kat\u0131larak kurumun program geli\u015ftirmesine katk\u0131da bulundu. Sanat \u00e7al\u0131\u015fmalar\u0131n\u0131, 1988\u2019den itibaren bir\u00e7ok ki\u015fisel sergi ve kat\u0131ld\u0131\u011f\u0131 karma sergiler ile sanatseverlerle bulu\u015fturdu. Kendine has tekni\u011fi ve \u00f6zg\u00fcn anlat\u0131m\u0131 ile sanat ele\u015ftirmenleri ve sanatseverlerin dikkatini \u00e7eken \u00c7i\u011fdem Bu\u00e7ak Telli, bir\u00e7ok uluslararas\u0131 sergi ve sempozyuma da davet edilerek \u00fclkemiz sanat\u0131n\u0131n tan\u0131t\u0131lmas\u0131na katk\u0131 sa\u011flad\u0131. Polonya, Moldova, Romanya, Ukrayna, \u00c7ek Cumhuriyeti ve \u00d6zbekistan\u2019da bir\u00e7ok sergi a\u00e7t\u0131 ve kat\u0131ld\u0131. Eserleri Yunanistan, ABD, Romanya, Moldova, Ukrayna ve Danimarka\u2019da \u00f6zel koleksiyonlarda ve m\u00fczelerde yer ald\u0131. \u00c7ek Cumhuriyeti\u2019nde \u00f6d\u00fcle lay\u0131k g\u00f6r\u00fclen bir eserinden ba\u015fka, Romanya\u2019da (Bacau ve George Enescu) ve Moldova\u2019da (Tescani) m\u00fczeleri taraf\u0131ndan eserleri sat\u0131n al\u0131nd\u0131. 2013 y\u0131l\u0131nda Romanya-T\u00fcrkiye k\u00fclt\u00fcr ve sanat ili\u015fkisine katk\u0131lar\u0131ndan \u00f6t\u00fcr\u00fc Romanya b\u00fcy\u00fckel\u00e7ili\u011fi taraf\u0131ndan devlet ni\u015fan\u0131 ile onurland\u0131r\u0131ld\u0131. 2018 Y\u0131l\u0131nda \u00d6zbekistan eski devlet ba\u015fkan\u0131 \u0130slam Kerimov\u2019u anma y\u0131l\u0131 \u00e7er\u00e7evesinde Kerimov m\u00fczesi devlet alt\u0131n madalyas\u0131 ile \u00f6d\u00fcllendirildi.<\/p>\n\n\n\n ARZU E\u015e<\/strong><\/p>\n\n\n\n 1975 y\u0131l\u0131nda Ankara’da do\u011fdu. Hacettepe \u00dcniversitesi G\u00fczel Sanatlar Fak\u00fcltesi Resim B\u00f6l\u00fcm\u00fcnden mezun olan sanat\u00e7\u0131, 2016 y\u0131l\u0131nda Gazi \u00dcniversitesi G\u00fczel Sanatlar Enstit\u00fcs\u00fc Resim Anasanat dal\u0131nda 1960’lardan G\u00fcn\u00fcm\u00fcze Sanatta Hayvan \u0130mgesi konulu tezi ile Y\u00fcksek Lisans e\u011fitimini tamamlad\u0131. Halen Hacettepe \u00dcniversitesi G\u00fczel Sanatlar Enstit\u00fcs\u00fc Resim Anasanat dal\u0131nda Sanatta Yeterlik e\u011fitimine devam etmektedir. Bireylerin insanmerkezci bak\u0131\u015f a\u00e7\u0131s\u0131n\u0131n, do\u011fayla \u00f6zellikle hayvanlarla olan ili\u015fkilerimizdeki etkileri \u00fczerine \u00fcretim yapan sanat\u00e7\u0131, kendi kurgusal d\u00fczleminde bir araya gelen hayvan imgeleri arac\u0131l\u0131\u011f\u0131yla izleyiciye seslenmeyi planlar. Kendini do\u011fa ve di\u011fer canl\u0131lar kar\u015f\u0131s\u0131nda y\u00fccele\u015ftiren insan\u0131 g\u00f6zlemlerken, kodlanm\u0131\u015f d\u00fc\u015f\u00fcnce kal\u0131plar\u0131m\u0131zdaki c\u00fcmleler arac\u0131l\u0131\u011f\u0131yla yeni patika yollar a\u00e7arak, d\u00fc\u015f\u00fcnsel anlamda izleyicinin anl\u0131k da olsa sorgulamalara girmesini hedefler. Sanat\u00e7\u0131n\u0131n genelde hayvan imgeleriyle kurgulanm\u0131\u015f yap\u0131tlar\u0131nda kulland\u0131\u011f\u0131 bi\u00e7imsel dili, el yaz\u0131s\u0131 c\u00fcmle tekrarlar\u0131ndan olu\u015fur. \u0130zleyiciyle i\u015fbirli\u011fi i\u00e7inde hayvan imgeleriyle yeni anlamlar \u00fcretebilmenin, c\u00fcmlelerle yeniden d\u00fc\u015f\u00fcnebilmenin yollar\u0131n\u0131 sorgular..<\/p>\n\n\n\n Kathrina Rupit<\/strong><\/p>\n\n\n\n Kathrina Rupit, Meksika do\u011fumlu Dublin’de (\u0130rlanda) ya\u015fayan bir sanat\u00e7\u0131d\u0131r. 13 ya\u015f\u0131ndayken Meksika’n\u0131n Monterrey kentinde ya\u015farken mural ve graffiti sanat\u0131na ba\u015flam\u0131\u015ft\u0131r. Meksika, Nuevo Leon \u00dcniversitesinde foto\u011fraf\u00e7\u0131l\u0131k okuluna girip, sonra da g\u00f6rsel sanatlar b\u00f6l\u00fcm\u00fcne ge\u00e7mi\u015ftir. Esinini k\u0131smen Meksika\u2019l\u0131 k\u00f6kleri ve g\u00fcncel sorunlara kar\u015f\u0131 olan alg\u0131s\u0131n\u0131n g\u00fcnl\u00fck ya\u015fam\u0131n\u0131n di\u011fer par\u00e7alar\u0131yla birle\u015ftirmesi olu\u015fturmaktad\u0131r. \u015eu anda tam zamanl\u0131 bir sanat\u00e7\u0131 olarak \u0130rlanda’da \u00e7al\u0131\u015fmaktad\u0131r. Dublin’de \u201cThe Chocolate Factory Yarat\u0131c\u0131 Toplulu\u011fu\u201d ad\u0131nda bir st\u00fcdyosu vard\u0131r ve galeriler, etkinlikler, festivaller veya farkl\u0131 projelerle i\u015fbirli\u011fi yapmaktad\u0131r. Sanat\u00e7\u0131 G\u00fcvenlik Caddesinde bir duvar resmini Meksika B\u00fcy\u00fckel\u00e7ili\u011fi ve \u00c7ankaya Belediyesinin de\u011ferli destekleriyle Ankara halk\u0131na sunmu\u015ftur. Ayr\u0131ca “Hayat A\u011fac\u0131” adl\u0131 bir proje dahilinde 2021 y\u0131l\u0131nda \u0130zmir ve Antalya’da bir mural \u00e7al\u0131\u015fmas\u0131 yapm\u0131\u015f, daha sonra bu eserlerin yap\u0131l\u0131\u015f s\u00fcrecini ve \u00e7evrelerini konu alan bir video ile birlikte 2022 Nisan’da Meksika Dublin B\u00fcy\u00fckel\u00e7ili\u011finde bir resim sergisi ile \u0130rlanda’l\u0131 izleyicilere sunmu\u015ftur. Sanat\u00e7\u0131 yo\u011fun bir \u015fekilde uluslararas\u0131 etkinliklere davet alarak bir\u00e7ok \u00fclkede sergi ve muraller ger\u00e7ekle\u015ftirmektedir. “Sanat\u0131m bar\u0131\u015f, fark\u0131ndal\u0131k ve co\u015fku hakk\u0131ndad\u0131r. Bir sokak sanat\u00e7\u0131s\u0131 olarak sanat\u0131m\u0131 t\u00fcm d\u00fcnya sokaklar\u0131nda payla\u015f\u0131yorum. \u00c7e\u015fitli k\u00fclt\u00fcrler hakk\u0131nda \u00f6\u011frendiklerim daha sonra esin kayna\u011f\u0131 olarak \u00e7\u0131k\u0131yor. T\u00fcm bu deneyimler birbirlerine sar\u0131larak bi\u00e7im, doku ve renkleri olu\u015fturuyorlar. Umar\u0131m sanat\u0131m k\u00fc\u00e7\u00fck bir odaklanma an\u0131 yarat\u0131r, daha da iyisi bir g\u00fcl\u00fcmseme…”<\/p>\n\n\n\n Berna T\u00fcremen<\/strong><\/p>\n\n\n\n \u0130stanbul’da ya\u015fay\u0131p \u00fcreten deneyimli sanat\u00e7\u0131 55 ki\u015fisel sergi a\u00e7t\u0131. Berna T\u00fcremen sergilerine uzun soluklu bakt\u0131\u011f\u0131m\u0131zda Tatbiki G\u00fczel Sanatlar Akademisi e\u011fitimiyle edindi\u011fi “Bauhaus” ekol\u00fcn\u00fcn izlerini s\u00fcrmek olas\u0131; malzeme ile organik ili\u015fki, s\u00fcrekli \u00e7al\u0131\u015farak pratikten \u00f6zg\u00fcven, diri, \u00f6zg\u00fcr ve canl\u0131 bir d\u00fc\u015fg\u00fcc\u00fc dam\u0131tmak , g\u00fcnl\u00fck ya\u015famdan, zaman\u0131n ruhundan ve yak\u0131n \u00e7evreden beslenmek. Sanat\u00e7\u0131n\u0131n eserlerinde \u015fefkat ve hicivin de\u011fi\u015fen ifadelerine \u015fahit oluyoruz. Kedilerin, meleklerin ve Kibele bedenli \u00e7i\u00e7ek\u00e7i kad\u0131nlar\u0131n ortak paydas\u0131 \u00f6zg\u00fcrl\u00fck, h\u0131nz\u0131rl\u0131k, muziplik ve grotesklik. Do\u011fall\u0131kla her resimde s\u00fcrpriz, g\u00f6rsel tuzaklar, kahkaha, ironinin i\u011fneleri ve \u00e7uvald\u0131zlar\u0131 izleyiciyi bekliyor; \u00e7\u0131lg\u0131n bir karnaval kalabal\u0131\u011f\u0131na ho\u015fgeldiniz.<\/p>\n\n\n\n M.Tau<\/strong><\/p>\n\n\n\n 1990 y\u0131l\u0131nda do\u011fdu. Ankara\u2019da ya\u015f\u0131yor ve \u00fcretiyor.<\/p>\n\n Frida Kahlo buralarda! 69 y\u0131l \u00f6nce bedenini b\u0131rakan ruhunun sanat\u00e7\u0131lar, t\u00fcm kad\u0131nlar, insanca ya\u015fam i\u00e7in m\u00fccadele edenler , dansedenler, sanatseverler ve ya\u015famseverlerin aras\u0131nda kanatlar\u0131yla dola\u015ft\u0131\u011f\u0131n\u0131 kolayl\u0131kla hayal edebiliriz\u2026 Kahlo’nun 47 y\u0131ll\u0131k k\u0131sac\u0131k ya\u015fam\u0131 s\u00fcrekli m\u00fccadele,yo\u011fun , \u00fcretken, eylemli, ac\u0131 ve a\u015fk dolu ge\u00e7ti. Hakk\u0131nda yaz\u0131lanlar, film end\u00fcstrisi ve pazarlamac\u0131lar sayesinde pop\u00fcler bir ikon haline d\u00f6n\u00fc\u015ft\u00fcr\u00fcld\u00fc. … Okumaya devam et “FR\u0130DA DIALOGLARI”<\/span><\/a><\/p>\n","protected":false},"author":1,"featured_media":998,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[8],"tags":[],"class_list":["post-997","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-sergiler"],"_links":{"self":[{"href":"https:\/\/www.galeri-a.com.tr\/index.php\/wp-json\/wp\/v2\/posts\/997","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.galeri-a.com.tr\/index.php\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.galeri-a.com.tr\/index.php\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.galeri-a.com.tr\/index.php\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/www.galeri-a.com.tr\/index.php\/wp-json\/wp\/v2\/comments?post=997"}],"version-history":[{"count":1,"href":"https:\/\/www.galeri-a.com.tr\/index.php\/wp-json\/wp\/v2\/posts\/997\/revisions"}],"predecessor-version":[{"id":999,"href":"https:\/\/www.galeri-a.com.tr\/index.php\/wp-json\/wp\/v2\/posts\/997\/revisions\/999"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/www.galeri-a.com.tr\/index.php\/wp-json\/wp\/v2\/media\/998"}],"wp:attachment":[{"href":"https:\/\/www.galeri-a.com.tr\/index.php\/wp-json\/wp\/v2\/media?parent=997"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.galeri-a.com.tr\/index.php\/wp-json\/wp\/v2\/categories?post=997"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.galeri-a.com.tr\/index.php\/wp-json\/wp\/v2\/tags?post=997"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}