Zaman itibariyle ilerliyor, yeni bir ba\u015flang\u0131ca do\u011fru ko\u015fuyoruz. De\u011fi\u015fimin ka\u00e7\u0131n\u0131lmazl\u0131\u011f\u0131n\u0131n bilgisi ve \u00fcmidi d\u00fcnyada, \u00fclkemizde ve \u00e7evremizde olumsuz ko\u015fullara dayanabilmemiz, ak\u0131l ve beden sa\u011fl\u0131\u011f\u0131m\u0131z\u0131 koruyabilmemizin temel dayanaklar\u0131ndan birisidir.\u00dczerimize boca edilip biriken envai \u00e7e\u015fit bask\u0131 ve bas\u0131n\u00e7, feri azalan g\u00fcn\u0131\u015f\u0131\u011f\u0131, koyula\u015fan gece karanl\u0131\u011f\u0131 ve so\u011fuk k\u0131\u015f unutulmamal\u0131 ki bahar\u0131 karn\u0131nda bar\u0131nd\u0131r\u0131yor. Dolay\u0131s\u0131yla ya\u015fama sevincini muhkemle\u015ftirip, kararl\u0131 ve sa\u011flam bir temel olu\u015fturan de\u011ferlerle donat\u0131p insanca ya\u015fam g\u00fc\u00e7lerimizi berkiten sanat, bize bu k\u0131\u015f aylar\u0131nda \u0131\u015f\u0131k dolu bir aral\u0131k sunuyor. \u015eair ve \u015fark\u0131c\u0131 Leonard Cohen’in bilinen “Anthem” \u015fark\u0131s\u0131ndaki gibi; her \u015feyde bir \u00e7atlak vard\u0131r, \u0131\u015f\u0131k da oradan girer…<\/p>\n\n\n\n
Yeni bir ba\u015flang\u0131c\u0131n temsili olan y\u0131lba\u015f\u0131na do\u011fru \u00f6zenle se\u00e7ti\u011fimiz sanat\u00e7\u0131lar\u0131n eserleri dileriz sizlere de bir nefes, \u0131\u015f\u0131k, renk, g\u00fczellik ve umut aral\u0131\u011f\u0131 sunarlar. E\u011fer evlerinizde yer verebilirseniz ya\u015famlar\u0131n\u0131z\u0131 yo\u011fun bir \u015fekilde esinleyecekler ve g\u00fczelle\u015ftirecekler. Sadece ziyaret edip g\u00f6rmeniz de hayal d\u00fcnyan\u0131z\u0131n genle\u015fmesini, g\u00f6rme duyunuz ve hemen arkas\u0131ndaki e\u015fsiz mekanizman\u0131n keyfini s\u00fcrmeniz, sanat\u00e7\u0131n\u0131n duygu ve yarat\u0131m s\u00fcrecini payla\u015fabilmeniz a\u00e7\u0131s\u0131ndan ola\u011fan\u00fcst\u00fc bir deneyim sunacakt\u0131r.<\/p>\n\n\n\n
Attila G\u00fcll\u00fc<\/p>\n\n\n\n
B\u0130YOGRAF\u0130<\/p>\n\n\n\n
Ekin Ko\u00e7<\/p>\n\n\n\n
1986 y\u0131l\u0131nda \u0130stanbul\u2019da do\u011fan Ekin Su Ko\u00e7 2007-2008 y\u0131llar\u0131nda Erasmus \u00f6\u011frenci de\u011fi\u015fim program\u0131 ile \u0130spanya-Sevilla \u00dcniversitesi\u2019nde e\u011fitim g\u00f6rd\u00fc, 2010 y\u0131l\u0131nda lisans e\u011fitimini Mimar Sinan G\u00fczel Sanatlar \u00dcniversitesi Resim B\u00f6l\u00fcm\u00fc\u2019nde tamamlad\u0131. 2015 y\u0131l\u0131nda I\u015f\u0131k \u00dcniversitesi Sosyal Bilimler Enstit\u00fcs\u00fc\u2019nde Resim Ana Sanat Dal\u0131 Tezli Y\u00fcksek Lisans e\u011fitimini tamamlad\u0131. Ka\u011f\u0131t \u00fczeri kolaj, tuval \u00fczeri boya gibi tekniklerin yan\u0131 s\u0131ra son d\u00f6nemlerde kuma\u015f \u00fczerine de \u00e7al\u0131\u015fan Ekin Su Ko\u00e7\u2019un i\u015fleri, genellikle g\u00f6\u00e7, yersiz yurtsuzluk ve beden alg\u0131s\u0131 gibi kavramlar \u00fczerine geli\u015fen g\u00fcncel tart\u0131\u015fmalardan besleniyor. Sanat\u00e7\u0131n\u0131n resimlerinde kulland\u0131\u011f\u0131 \u00f6\u011fe ve imgeler, i\u00e7inden ge\u00e7ti\u011fi zaman\u0131n, mek\u00e2n ve insanlar\u0131n, kendisi \u00fczerindeki etkilerinden do\u011farak hem \u00f6znel hem toplumsal referans noktalar\u0131na dokunuyor. Yaratt\u0131\u011f\u0131 yeni bedenlerde hem etnik hem do\u011fadan toplanan imajlar\u0131 b\u00fct\u00fcnle\u015ftirerek, adeta yeni bir kimlik olu\u015fturma ve bir yere ait olma evrelerinin izlenmesine olanak veriyor. Bu ba\u011flamda i\u015fler, sanat\u00e7\u0131n\u0131n kendisinin de s\u00fcre\u00e7 i\u00e7inde bir \u00fclkeden di\u011ferine, bir \u015fehirden di\u011ferine s\u00fcr\u00fcklenme haline ve kendi varl\u0131k b\u00fct\u00fcnl\u00fc\u011f\u00fcn\u00fc korumak i\u00e7in k\u00f6k par\u00e7alar\u0131n\u0131 bir arada tutmas\u0131na dair bireysel bir okumaya da yol a\u00e7\u0131yor. \u00d6zel koleksiyonlarda eserleri bulunan sanat\u00e7\u0131, \u00e7al\u0131\u015fmalar\u0131na Berlin\u2019deki at\u00f6lyesinde devam ediyor.<\/p>\n\n\n\n
Angela Burns<\/p>\n\n\n\n
Kuzey \u0130rlanda do\u011fumlu ill\u00fcstrat\u00f6r ve tasar\u0131mc\u0131 Angela Burns, 1999 y\u0131l\u0131nda, Ulster \u00dcniversitesi\/ Belfast, Moda ve Tekstil Tasar\u0131m\u0131 b\u00f6l\u00fcm\u00fcnden mezun olmu\u015ftur. Burns, Arts & Humanities Research Council \u00f6d\u00fcl\u00fcne lay\u0131k g\u00f6r\u00fclerek Southampton \u00dcniversitesi, Winchester Sanat Okulu\u2019nun (\u0130ngiltere) Moda ve Tekstil Tasar\u0131m\u0131 dal\u0131nda Sanat Y\u00fcksek Lisans\u0131 yapma f\u0131rsat\u0131 bulmu\u015ftur. 2001 y\u0131l\u0131nda, geni\u015fletilmi\u015f de\u011fi\u015fim program\u0131 ile Hogeschool Voor de Kunsten (Utrecht\/ Hollanda) ve the Institute Fran\u00e7ais de la Mode\u2019dan (Paris\/ Fransa) mezun olmu\u015ftur.<\/p>\n\n\n\n
2006\u2019dan beri \u0130zmir Ekonomi \u00dcniversitesi\u2019nde \u00f6\u011fretim \u00fcyesidir. \u00d6nde gelen sergileri, 2020\u2019de \u0130zmir Goethe Enstit\u00fcs\u00fc \u2018Out of Sight, Out of Mind\u2019 moda ill\u00fcstrasyon sergisi, 2019\u2019da Ankara \u00c7a\u011fda\u015f Sanatlar Merkezi\u2019nde \u0130rlanda B\u00fcy\u00fckel\u00e7ili\u011fi i\u015fbirli\u011fi ile \u2018Ev Gibisi Yok\u2019 ve 2018\u2019de Belfast\u2019ta 30th Feile An Phobail International Festival\u2019inde \u2018Cultural Collages tekstil sergileri say\u0131labilir.<\/p>\n\n\n\n
Kathrina Rupit<\/p>\n\n\n\n
Kathrina Rupit, Meksika do\u011fumlu Dublin’de (\u0130rlanda) ya\u015fayan bir sanat\u00e7\u0131d\u0131r. 13 ya\u015f\u0131ndayken Meksika’n\u0131n Monterrey kentinde ya\u015farken mural ve graffiti sanat\u0131na ba\u015flam\u0131\u015ft\u0131r. Meksika, Nuevo Leon \u00dcniversitesinde foto\u011fraf\u00e7\u0131l\u0131k okuluna girip, sonra da g\u00f6rsel sanatlar b\u00f6l\u00fcm\u00fcne ge\u00e7mi\u015ftir. Esinini k\u0131smen Meksika\u2019l\u0131 k\u00f6kleri ve g\u00fcncel sorunlara kar\u015f\u0131 olan alg\u0131s\u0131n\u0131n g\u00fcnl\u00fck ya\u015fam\u0131n\u0131n di\u011fer par\u00e7alar\u0131yla birle\u015ftirmesi olu\u015fturmaktad\u0131r. \u015eu anda tam zamanl\u0131 bir sanat\u00e7\u0131 olarak \u0130rlanda’da \u00e7al\u0131\u015fmaktad\u0131r. Dublin’de \u201cThe Chocolate Factory Yarat\u0131c\u0131 Toplulu\u011fu\u201d ad\u0131nda bir st\u00fcdyosu vard\u0131r ve galeriler, etkinlikler, festivaller veya farkl\u0131 projelerle i\u015fbirli\u011fi yapmaktad\u0131r. Sanat\u00e7\u0131 G\u00fcvenlik Caddesinde bir duvar resmini Meksika B\u00fcy\u00fckel\u00e7ili\u011fi ve \u00c7ankaya Belediyesinin de\u011ferli destekleriyle Ankara halk\u0131na sunmu\u015ftur. Ayr\u0131ca “Hayat A\u011fac\u0131” adl\u0131 bir proje dahilinde 2021 y\u0131l\u0131nda \u0130zmir ve Antalya’da bir mural \u00e7al\u0131\u015fmas\u0131 yapm\u0131\u015f, daha sonra bu eserlerin yap\u0131l\u0131\u015f s\u00fcrecini ve \u00e7evrelerini konu alan bir video ile birlikte 2022 Nisan’da Meksika Dublin B\u00fcy\u00fckel\u00e7ili\u011finde bir resim sergisi ile \u0130rlanda’l\u0131 izleyicilere sunmu\u015ftur. Sanat\u00e7\u0131 yo\u011fun bir \u015fekilde uluslararas\u0131 etkinliklere davet alarak bir\u00e7ok \u00fclkede sergi ve muraller ger\u00e7ekle\u015ftirmektedir<\/p>\n\n\n\n
“Sanat\u0131m bar\u0131\u015f, fark\u0131ndal\u0131k ve co\u015fku hakk\u0131ndad\u0131r. Bir sokak sanat\u00e7\u0131s\u0131 olarak sanat\u0131m\u0131 t\u00fcm d\u00fcnya sokaklar\u0131nda payla\u015f\u0131yorum. \u00c7e\u015fitli k\u00fclt\u00fcrler hakk\u0131nda \u00f6\u011frendiklerim daha sonra esin kayna\u011f\u0131 olarak \u00e7\u0131k\u0131yor. T\u00fcm bu deneyimler birbirlerine sar\u0131larak bi\u00e7im, doku ve renkleri olu\u015fturuyorlar. Umar\u0131m sanat\u0131m k\u00fc\u00e7\u00fck bir odaklanma an\u0131 yarat\u0131r, daha da iyisi bir g\u00fcl\u00fcmseme…”<\/p>\n\n\n\n
Berna T\u00fcremen<\/p>\n\n\n\n
\u0130stanbul’da ya\u015fay\u0131p \u00fcreten deneyimli sanat\u00e7\u0131 55 ki\u015fisel sergi a\u00e7t\u0131. Berna T\u00fcremen sergilerine uzun soluklu bakt\u0131\u011f\u0131m\u0131zda Tatbiki G\u00fczel Sanatlar Akademisi e\u011fitimiyle edindi\u011fi “Bauhaus” ekol\u00fcn\u00fcn izlerini s\u00fcrmek olas\u0131; malzeme ile organik ili\u015fki, s\u00fcrekli \u00e7al\u0131\u015farak pratikten \u00f6zg\u00fcven, diri, \u00f6zg\u00fcr ve canl\u0131 bir d\u00fc\u015fg\u00fcc\u00fc dam\u0131tmak , g\u00fcnl\u00fck ya\u015famdan, zaman\u0131n ruhundan ve yak\u0131n \u00e7evreden beslenmek.<\/p>\n\n\n\n
Sanat\u00e7\u0131n\u0131n eserlerinde \u015fefkat ve hicivin de\u011fi\u015fen ifadelerine \u015fahit oluyoruz. Kedilerin, meleklerin ve Kibele bedenli \u00e7i\u00e7ek\u00e7i kad\u0131nlar\u0131n ortak paydas\u0131 \u00f6zg\u00fcrl\u00fck, h\u0131nz\u0131rl\u0131k, muziplik ve grotesklik. Do\u011fall\u0131kla her resimde s\u00fcrpriz, g\u00f6rsel tuzaklar, kahkaha, ironinin i\u011fneleri ve \u00e7uvald\u0131zlar\u0131 izleyiciyi bekliyor; \u00e7\u0131lg\u0131n bir karnaval kalabal\u0131\u011f\u0131na ho\u015fgeldiniz.<\/p>\n\n\n\n
M.Tau<\/p>\n\n\n\n
1990 y\u0131l\u0131nda do\u011fdu. Ankara\u2019da ya\u015f\u0131yor ve \u00fcretiyor.<\/p>\n\n\n\n
<\/p>\n\n
Zaman itibariyle ilerliyor, yeni bir ba\u015flang\u0131ca do\u011fru ko\u015fuyoruz. De\u011fi\u015fimin ka\u00e7\u0131n\u0131lmazl\u0131\u011f\u0131n\u0131n bilgisi ve \u00fcmidi d\u00fcnyada, \u00fclkemizde ve \u00e7evremizde olumsuz ko\u015fullara dayanabilmemiz, ak\u0131l ve beden sa\u011fl\u0131\u011f\u0131m\u0131z\u0131 koruyabilmemizin temel dayanaklar\u0131ndan birisidir.\u00dczerimize boca edilip biriken envai \u00e7e\u015fit bask\u0131 ve bas\u0131n\u00e7, feri azalan g\u00fcn\u0131\u015f\u0131\u011f\u0131, koyula\u015fan gece karanl\u0131\u011f\u0131 ve so\u011fuk k\u0131\u015f unutulmamal\u0131 ki bahar\u0131 karn\u0131nda bar\u0131nd\u0131r\u0131yor. Dolay\u0131s\u0131yla ya\u015fama sevincini muhkemle\u015ftirip, kararl\u0131 … Okumaya devam et “ARALIK I\u015eI\u011eI”<\/span><\/a><\/p>\n","protected":false},"author":1,"featured_media":986,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[8],"tags":[],"class_list":["post-985","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-sergiler"],"_links":{"self":[{"href":"https:\/\/www.galeri-a.com.tr\/index.php\/wp-json\/wp\/v2\/posts\/985","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.galeri-a.com.tr\/index.php\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.galeri-a.com.tr\/index.php\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.galeri-a.com.tr\/index.php\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/www.galeri-a.com.tr\/index.php\/wp-json\/wp\/v2\/comments?post=985"}],"version-history":[{"count":4,"href":"https:\/\/www.galeri-a.com.tr\/index.php\/wp-json\/wp\/v2\/posts\/985\/revisions"}],"predecessor-version":[{"id":992,"href":"https:\/\/www.galeri-a.com.tr\/index.php\/wp-json\/wp\/v2\/posts\/985\/revisions\/992"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/www.galeri-a.com.tr\/index.php\/wp-json\/wp\/v2\/media\/986"}],"wp:attachment":[{"href":"https:\/\/www.galeri-a.com.tr\/index.php\/wp-json\/wp\/v2\/media?parent=985"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.galeri-a.com.tr\/index.php\/wp-json\/wp\/v2\/categories?post=985"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.galeri-a.com.tr\/index.php\/wp-json\/wp\/v2\/tags?post=985"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}