{"id":962,"date":"2022-09-09T15:28:36","date_gmt":"2022-09-09T12:28:36","guid":{"rendered":"http:\/\/www.galeri-a.com.tr\/?p=962"},"modified":"2022-09-09T15:28:38","modified_gmt":"2022-09-09T12:28:38","slug":"boyalar-murekkep-ve-kagitlar","status":"publish","type":"post","link":"https:\/\/www.galeri-a.com.tr\/index.php\/2022\/09\/09\/boyalar-murekkep-ve-kagitlar\/","title":{"rendered":"Boyalar, M\u00fcrekkep ve Ka\u011f\u0131tlar"},"content":{"rendered":"\n<figure class=\"wp-block-image size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"731\" height=\"1024\" src=\"http:\/\/www.galeri-a.com.tr\/wp-content\/uploads\/sebnem-yucel-731x1024.jpg\" alt=\"\" class=\"wp-image-963\" srcset=\"https:\/\/www.galeri-a.com.tr\/wp-content\/uploads\/sebnem-yucel-731x1024.jpg 731w, https:\/\/www.galeri-a.com.tr\/wp-content\/uploads\/sebnem-yucel-214x300.jpg 214w, https:\/\/www.galeri-a.com.tr\/wp-content\/uploads\/sebnem-yucel-1097x1536.jpg 1097w, https:\/\/www.galeri-a.com.tr\/wp-content\/uploads\/sebnem-yucel-1463x2048.jpg 1463w, https:\/\/www.galeri-a.com.tr\/wp-content\/uploads\/sebnem-yucel-1200x1680.jpg 1200w, https:\/\/www.galeri-a.com.tr\/wp-content\/uploads\/sebnem-yucel-scaled.jpg 1829w\" sizes=\"auto, (max-width: 709px) 85vw, (max-width: 909px) 67vw, (max-width: 984px) 61vw, (max-width: 1362px) 45vw, 600px\" \/><figcaption>BOYALAR, M\u00dcREKKEP VE KA\u011eITLAR<br>Boyalar, m\u00fcrekkep ve ka\u011f\u0131tlar \u00f6n\u00fcmde ilk g\u00fcnl\u00fck kart\u0131m\u0131 yazmaya oturdu\u011fumda tarih 30 Mart 2020\u2019yi g\u00f6steriyordu. Her g\u00fcn kaligrafi f\u0131r\u00e7amla \u00fcst \u00fcste yazd\u0131\u011f\u0131m kelimeler ve o g\u00fcn nas\u0131l hissetti\u011fime ba\u011fl\u0131 renklendirmelerle olu\u015fturdu\u011fum 120 kartl\u0131k pandemi g\u00fcnl\u00fckleri d\u0131\u015fa d\u00f6n\u00fck bir insan\u0131n pandemiyle imtihan\u0131n\u0131n ilk \u00fcr\u00fcnleri\u00a0 olarak ortaya \u00e7\u0131kt\u0131. \u0130lerleyen g\u00fcnlerde evde kapal\u0131 olman\u0131n getirdi\u011fi nefessizlik hissi ve o nefesi\u2014yeterli oldu\u011funu ispat etmek istercesine\u2014yarat\u0131c\u0131 s\u00fcrecin bir par\u00e7as\u0131 olarak kullanma g\u00fcd\u00fcs\u00fc de g\u00fcnl\u00fck d\u0131\u015f\u0131ndaki denemelere hayat verdi. Ka\u011f\u0131t \u00fczerine b\u0131rak\u0131lan suluboya, bir pipet yard\u0131m\u0131yla \u00fcflenen hava, ak\u0131\u015fkan boyan\u0131n belirledi\u011fi yollar\u0131 izleme, sonra da farkl\u0131 kalemlerle yap\u0131lan \u00e7er\u00e7eveleme ve taramalarla hayat bulan erken denemeler bir yandan da kontroll\u00fc, milimetrik \u00e7izimler yapmak \u00fczere e\u011fitilmi\u015f benim kontrol\u00fc elden b\u0131rakma ve bununla mutlu olma denemelerimdi. Bir ad\u0131m sonras\u0131nda alkol m\u00fcrekkebi ile tan\u0131\u015fmamla da kontrol edilemez bir malzemeye kendimi tamamen b\u0131rak\u0131\u015f\u0131m geldi. Ak\u0131\u015f, kaybolu\u015f denemeleri ve teknik geli\u015ftirdik\u00e7e kontrol\u00fc tekrar kazanma \u00e7abalar\u0131\u2026<br>\u00a0<br>Sergide yer alan eserler bu son derece ki\u015fisel s\u00fcre\u00e7lerin sonucunda \u00fcretildi. \u00d6yle ki bu \u00fcretimlerle nefes ve nefessizlik, ak\u0131\u015fkanl\u0131k ve dura\u011fanl\u0131k, kontrol ve kontrols\u00fczl\u00fck birer ikilik olmaktan \u00e7\u0131k\u0131p birbirini desteklemeye ve beslemeye ba\u015flayan bir b\u00fct\u00fcnl\u00fc\u011fe evrildi. Sergide iki ayr\u0131 kata yay\u0131lan bu eserlere hem kronolojik hem de deneyimsel olarak yakla\u015fmak m\u00fcmk\u00fcn. Serginin ilk kat\u0131n\u0131 pandemi g\u00fcnl\u00fckleri ile ba\u015flayan siyah sumi m\u00fcrekkebi \u00e7al\u0131\u015fmalar\u0131 olu\u015fturuyor. Suluboya dokunu\u015flar\u0131 ve bambu ka\u011f\u0131d\u0131 da bu denemelerin e\u015flik\u00e7isi. Nefesi dert edinme, kontrol\u00fc elden b\u0131rakma ve bir d\u00fczen aray\u0131\u015f\u0131yla direnme \u00e7abalar\u0131 okunabiliyor. Bunlar az renkli, serbestli\u011fine ra\u011fmen disiplinli ve soyut \u00e7al\u0131\u015fmalar. \u0130kinci katta ise alkol m\u00fcrekkebi ve yupo ka\u011f\u0131d\u0131 ile \u00fcretilen i\u015fler yer al\u0131yorlar. \u0130lk kat\u0131n siyahl\u0131\u011f\u0131na tezat bir renk c\u00fcmb\u00fc\u015f\u00fc olu\u015fturan bu resimlerde kontrols\u00fczl\u00fck art\u0131k bir ba\u015flang\u0131\u00e7 noktas\u0131. Malzemenin b\u00fct\u00fcn kontrol edilemezli\u011fine ra\u011fmen devreye giren minik kontroll\u00fc dokunu\u015flar ise bu kattaki resimleri ayn\u0131 anda hem fig\u00fcratif hem de soyut bir ara kesite ta\u015f\u0131yor.<br>\u00a0<br>\u00a0<br>B\u0130YOGRAF\u0130: \u015eEBNEM Y\u00dcCEL<br>\u00a0<br>\u015eebnem Y\u00fccel 1993 y\u0131l\u0131nda Orta Do\u011fu Teknik \u00dcniversitesi Mimarl\u0131k B\u00f6l\u00fcm\u00fcnden mezun oldu. 1996 y\u0131l\u0131nda devlet bursu kazanarak Amerika Birle\u015fik Devletleri\u2019ne gitti. 1998\u2019de University of Cincinnati\u2019de y\u00fcksek lisans, 2003 y\u0131l\u0131nda da Arizona State University\u2019de doktora \u00e7al\u0131\u015fmalar\u0131n\u0131 tamamlad\u0131. Ayn\u0131 y\u0131l T\u00fcrkiye\u2019ye d\u00f6nerek \u0130zmir Y\u00fcksek Teknoloji Enstit\u00fcs\u00fc\u2019nde g\u00f6reve ba\u015flad\u0131. 2018 y\u0131l\u0131na kadar \u0130zmir\u2019de \u0130YTE ve \u00e7e\u015fitli \u00f6zel \u00fcniversitelerde mimarl\u0131k tarihi, kuram\u0131 ve mimari tasar\u0131m st\u00fcdyosu derslerine giren Y\u00fccel ayn\u0131 zamanda \u0130zmir Mimarlar Odas\u0131 Y\u00f6netim Kurulu \u00fcyeli\u011fi, 4T Tasar\u0131m ve Tasar\u0131m Tarihi Toplulu\u011fu kurucu y\u00f6netim kurulu \u00fcyeli\u011fi yapt\u0131. Y\u00fccel halen MEF \u00dcniversitesi Mimarl\u0131k B\u00f6l\u00fcm\u00fc\u2019nde g\u00f6rev yapmakta ve b\u00f6l\u00fcm ba\u015fkanl\u0131\u011f\u0131 g\u00f6revini y\u00fcr\u00fctmektedir.<\/figcaption><\/figure>\n\n<div class=\"twitter-share\"><a href=\"https:\/\/twitter.com\/intent\/tweet?via=galeri_a_izmir\" class=\"twitter-share-button\">Tweet<\/a><\/div>\n","protected":false},"excerpt":{"rendered":"","protected":false},"author":1,"featured_media":0,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[12,8],"tags":[],"class_list":["post-962","post","type-post","status-publish","format-standard","hentry","category-duyuru","category-sergiler"],"_links":{"self":[{"href":"https:\/\/www.galeri-a.com.tr\/index.php\/wp-json\/wp\/v2\/posts\/962","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.galeri-a.com.tr\/index.php\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.galeri-a.com.tr\/index.php\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.galeri-a.com.tr\/index.php\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/www.galeri-a.com.tr\/index.php\/wp-json\/wp\/v2\/comments?post=962"}],"version-history":[{"count":1,"href":"https:\/\/www.galeri-a.com.tr\/index.php\/wp-json\/wp\/v2\/posts\/962\/revisions"}],"predecessor-version":[{"id":964,"href":"https:\/\/www.galeri-a.com.tr\/index.php\/wp-json\/wp\/v2\/posts\/962\/revisions\/964"}],"wp:attachment":[{"href":"https:\/\/www.galeri-a.com.tr\/index.php\/wp-json\/wp\/v2\/media?parent=962"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.galeri-a.com.tr\/index.php\/wp-json\/wp\/v2\/categories?post=962"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.galeri-a.com.tr\/index.php\/wp-json\/wp\/v2\/tags?post=962"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}