{"id":957,"date":"2022-06-15T12:12:15","date_gmt":"2022-06-15T09:12:15","guid":{"rendered":"http:\/\/www.galeri-a.com.tr\/?p=957"},"modified":"2022-06-15T12:12:16","modified_gmt":"2022-06-15T09:12:16","slug":"adem-yesilyurt-kavis","status":"publish","type":"post","link":"https:\/\/www.galeri-a.com.tr\/index.php\/2022\/06\/15\/adem-yesilyurt-kavis\/","title":{"rendered":"Adem Ye\u015filyurt\/Kavis"},"content":{"rendered":"\n<figure class=\"wp-block-image size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"731\" height=\"1024\" src=\"http:\/\/www.galeri-a.com.tr\/wp-content\/uploads\/kavis_davetiye_Calisma-Yuzeyi-1-731x1024.png\" alt=\"\" class=\"wp-image-958\" srcset=\"https:\/\/www.galeri-a.com.tr\/wp-content\/uploads\/kavis_davetiye_Calisma-Yuzeyi-1-731x1024.png 731w, https:\/\/www.galeri-a.com.tr\/wp-content\/uploads\/kavis_davetiye_Calisma-Yuzeyi-1-214x300.png 214w, https:\/\/www.galeri-a.com.tr\/wp-content\/uploads\/kavis_davetiye_Calisma-Yuzeyi-1-1097x1536.png 1097w, https:\/\/www.galeri-a.com.tr\/wp-content\/uploads\/kavis_davetiye_Calisma-Yuzeyi-1-1463x2048.png 1463w, https:\/\/www.galeri-a.com.tr\/wp-content\/uploads\/kavis_davetiye_Calisma-Yuzeyi-1-1200x1680.png 1200w\" sizes=\"auto, (max-width: 709px) 85vw, (max-width: 909px) 67vw, (max-width: 984px) 61vw, (max-width: 1362px) 45vw, 600px\" \/><figcaption><strong>kavis, ben ve kendini \u00e7al\u0131\u015fan a\u011fa\u00e7<\/strong><br>\u00a0\u00f6zellikle zeytin a\u011fac\u0131 k\u00f6klerinden ve g\u00f6vdelerinden yola \u00e7\u0131kt\u0131m. a\u011fac\u0131n kendine \u00f6zg\u00fc formunu a\u00e7\u0131\u011fa \u00e7\u0131karmak uzun ve zorlu bir s\u00fcre\u00e7. antik roma\u2019da\u00a0 <em>vivax oliva<\/em> (<em>yedi canl\u0131<\/em>); mitolojide, bir\u00e7ok dinde ve botanik biliminde\u00a0 <em>\u00f6l\u00fcms\u00fcz a\u011fa\u00e7<\/em>,\u00a0 <em>kutsal a\u011fa\u00e7<\/em>,\u00a0 <em>a\u011fa\u00e7lar\u0131n ilki<\/em>\u00a0 gibi s\u0131fatlarla onurland\u0131r\u0131lm\u0131\u015f zeytin a\u011fac\u0131na benim yak\u0131\u015ft\u0131rmam da\u00a0 <em>inat\u00e7\u0131 a\u011fa\u00e7<\/em>\u00a0 olurdu san\u0131r\u0131m.<br>ruhu ve iradesi olan bir varl\u0131\u011fa, <em>ham madde <\/em>\u00a0veya <em>i\u015f par\u00e7as\u0131 <\/em>\u00a0gibi yakla\u015fmamam gerekti\u011fini akl\u0131mdan \u00e7\u0131karmadan koyuldum i\u015fe. a\u011fac\u0131n, kabu\u011fundan ar\u0131nd\u0131rd\u0131\u011f\u0131m kendine \u00f6zg\u00fc dokusunu ve formunu referans edindim. \u00a0bo\u015flukla beraber, a\u011fac\u0131n hasar g\u00f6rm\u00fc\u015f, \u00f6zg\u00fcn yap\u0131s\u0131n\u0131 bulamam\u0131\u015f b\u00f6l\u00fcmlerine peyderpey m\u00fcdahale ederek ilerledik. her a\u011fa\u00e7 bir birinden farkl\u0131 oldu\u011fu i\u00e7in \u00e7al\u0131\u015fma tekni\u011fi, yakla\u015f\u0131m ya da m\u00fcdahale bi\u00e7imi de bir birinden farkl\u0131 olmak zorundayd\u0131. bu durum, her a\u011fa\u00e7ta \u00a0yeni bir \u015fey ke\u015ffetmek i\u00e7in iyi; her a\u011fa\u00e7ta adeta organik ve\/veya yap\u0131sal bir bulmacay\u0131 \u00e7\u00f6zmek zorunda kald\u0131\u011f\u0131m i\u00e7in \u00e7ok sanc\u0131l\u0131 ve tedirgin ediciydi. \u00e7al\u0131\u015fmalar\u0131n fig\u00fcratif olmamas\u0131 da bu tedirginli\u011fi besleyen nedenlerden birisiydi. her a\u011fa\u00e7 sonsuz say\u0131da olas\u0131l\u0131kla kar\u015f\u0131ma kuruldu. geriye al\u0131nmas\u0131 m\u00fcmk\u00fcn olmayan m\u00fcdahale olas\u0131l\u0131klar\u0131 i\u00e7inde kayboldu\u011fumda, ba\u015fka bir a\u011faca ge\u00e7ip onun g\u00f6vdesinde yuvalar arad\u0131m. yap\u0131n\u0131n karakteristik iskeleti belirginle\u015fmeye ba\u015flad\u0131\u011f\u0131nda geriye barok tarz\u0131 bir c\u00fcretle ve e\u011flenceli bir i\u015f\u00e7ilikle kavisler yaratmak kald\u0131. \u00a0formu oyarak, egsantrik a\u00e7\u0131lar vererek i\u00e7 i\u00e7e ge\u00e7mi\u015f; hangi y\u00f6nden bak\u0131l\u0131rsa bak\u0131ls\u0131n kendini ele veren ritmik tekrarlar olu\u015fturmaya \u00e7al\u0131\u015ft\u0131m. b\u00f6ylece, detone olmadan y\u00fczeye yay\u0131lm\u0131\u015f \u00fc\u00e7 boyutlu \u00e7izgilerle \u00e7al\u0131\u015fmaya b\u00fct\u00fcnl\u00fck kazand\u0131rmak istedim. \u00a0en \u00f6nemli kriterim, a\u011fac\u0131n rastlant\u0131sal formuyla uyum i\u00e7inde kalmak oldu.<br>sonlanan her \u00e7al\u0131\u015fmayla birlikte ortaya sadece yeni y\u00fczeyler, yeni formlar, yeni dokular de\u011fil; ayn\u0131 zamanda fig\u00fcrden ar\u0131nm\u0131\u015f, s\u0131ra d\u0131\u015f\u0131, \u00f6ng\u00f6r\u00fclmeyen yap\u0131lar da \u00e7\u0131kt\u0131. bizi ku\u015fatan uzay\/mekan\u00a0 \u00f6n kabul\u00fcyle a\u015fina oldu\u011fumuz alt-\u00fcst, \u00f6n-arka, sa\u011f-sol gibi tayin edici kavramlar anlam\u0131n\u0131 yitirdi. \u00e7al\u0131\u015fmalar, i\u00e7ine kurulduklar\u0131 bo\u015flukla onun birer yap\u0131sal eleman\u0131ym\u0131\u015f gibi ili\u015fki kurdu. bu durum y\u00f6n kavram\u0131n\u0131 anlams\u0131zla\u015ft\u0131rd\u0131, hatta onu y\u00fck haline getirdi. ne var ki sabitlenmeleri gerekiyordu. bundan \u00f6t\u00fcr\u00fc stant marifetiyle yer\u00e7ekimi yasalar\u0131na boyun e\u011fmek\u00a0 zorunda kald\u0131lar. do\u011frusu, her birinin do\u011fa yasalar\u0131ndan azade, y\u00f6n\u00fc olmayan bo\u015flukta sal\u0131nmalar\u0131n\u0131 \u00e7ok isterdim. buna kar\u015f\u0131n, \u00fczerine kurulduklar\u0131 kaidelerin de \u00e7al\u0131\u015fmalar\u0131n yap\u0131sal\u00a0 bir par\u00e7as\u0131na d\u00f6n\u00fc\u015ft\u00fc\u011f\u00fcn\u00fc; \u00e7al\u0131\u015fmalarla b\u00fct\u00fcnl\u00fck i\u00e7inde durdu\u011funu rahatl\u0131kla s\u00f6yleyebilirim.<br>\u00a0<br><strong>adem ye\u015filyurt<\/strong><br>1974 y\u0131l\u0131nda erzurum\/\u015fenkaya\/sar\u0131yar\u00a0 k\u00f6y\u00fcnde do\u011fdu. 1999 y\u0131l\u0131nda\u00a0 \u00e7ukurova \u00fcniversitesi\/ e\u011fitim fak\u00fcltesi resim-i\u015f b\u00f6l\u00fcm\u00fc\/ heykel ana sanat\u00a0 dal\u0131\u2019nda lisans e\u011fitimini tamamlad\u0131. 2000 y\u0131l\u0131nda g\u00f6rsel sanatlar \u00f6\u011fretmeni ve teknoloji tasar\u0131m \u00f6\u011fretmeni olarak\u00a0 \u00e7al\u0131\u015fmaya ba\u015flad\u0131. g\u00f6revini izmir\/bornova\u2019da s\u00fcrd\u00fcrmektedir.<br>\u00a0<br><strong>\u00a0sergiler<\/strong><br>\u00b7\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 ressamlar derne\u011fi adana \u015fubesi\/kaman sanat galerisi\/ <a>kavis: kendini \u00e7al\u0131\u015fan a\u011fa\u00e7<\/a><br>\u00b7\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 \u00a0\/ki\u015fisel sergi\/2022<br>\u00b7\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 bornova belediyesi\/u\u011fur mumcu sanat galerisi\/ kavis: kendini \u00e7al\u0131\u015fan a\u011fa\u00e7\/ki\u015fisel sergi\/2022<br>\u00b7\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 galeri a\/alsancak\/ kavis: kendini \u00e7al\u0131\u015fan a\u011fa\u00e7\/ki\u015fisel sergi\/2022<br>\u00b7\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 contemporary barcelona: \u2018perception\u2019\/ gallery art nou mil.lenni\/ spa\u0131n, barcelona<br>\/karma sergi\/2022<br>\u00a0<br>\u00b7\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 photography montreux: \u2018from life\u2019\/ gallery ludmilla moshek\/clarens, switzerland<br>\/karma sergi\/2022<br>\u00a0<br>\u00a0<br>\u00b7\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 IAAF Art Fair BODRUM\/2nd EDITION<\/figcaption><\/figure>\n\n<div class=\"twitter-share\"><a href=\"https:\/\/twitter.com\/intent\/tweet?via=galeri_a_izmir\" class=\"twitter-share-button\">Tweet<\/a><\/div>\n","protected":false},"excerpt":{"rendered":"","protected":false},"author":1,"featured_media":0,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[12,8],"tags":[],"class_list":["post-957","post","type-post","status-publish","format-standard","hentry","category-duyuru","category-sergiler"],"_links":{"self":[{"href":"https:\/\/www.galeri-a.com.tr\/index.php\/wp-json\/wp\/v2\/posts\/957","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.galeri-a.com.tr\/index.php\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.galeri-a.com.tr\/index.php\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.galeri-a.com.tr\/index.php\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/www.galeri-a.com.tr\/index.php\/wp-json\/wp\/v2\/comments?post=957"}],"version-history":[{"count":1,"href":"https:\/\/www.galeri-a.com.tr\/index.php\/wp-json\/wp\/v2\/posts\/957\/revisions"}],"predecessor-version":[{"id":959,"href":"https:\/\/www.galeri-a.com.tr\/index.php\/wp-json\/wp\/v2\/posts\/957\/revisions\/959"}],"wp:attachment":[{"href":"https:\/\/www.galeri-a.com.tr\/index.php\/wp-json\/wp\/v2\/media?parent=957"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.galeri-a.com.tr\/index.php\/wp-json\/wp\/v2\/categories?post=957"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.galeri-a.com.tr\/index.php\/wp-json\/wp\/v2\/tags?post=957"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}