{"id":632,"date":"2018-12-01T12:58:39","date_gmt":"2018-12-01T09:58:39","guid":{"rendered":"http:\/\/www.galeri-a.com.tr\/?p=632"},"modified":"2020-02-25T22:11:20","modified_gmt":"2020-02-25T19:11:20","slug":"karma-sergi-2","status":"publish","type":"post","link":"https:\/\/www.galeri-a.com.tr\/index.php\/2018\/12\/01\/karma-sergi-2\/","title":{"rendered":"Karma Sergi"},"content":{"rendered":"<p><img loading=\"lazy\" decoding=\"async\" class=\"aligncenter size-full wp-image-633\" src=\"http:\/\/www.galeri-a.com.tr\/wp-content\/uploads\/47056866_296435110993428_2120917299589283840_n-1.jpg\" alt=\"\" width=\"664\" height=\"960\" srcset=\"https:\/\/www.galeri-a.com.tr\/wp-content\/uploads\/47056866_296435110993428_2120917299589283840_n-1.jpg 664w, https:\/\/www.galeri-a.com.tr\/wp-content\/uploads\/47056866_296435110993428_2120917299589283840_n-1-208x300.jpg 208w, https:\/\/www.galeri-a.com.tr\/wp-content\/uploads\/47056866_296435110993428_2120917299589283840_n-1-400x578.jpg 400w, https:\/\/www.galeri-a.com.tr\/wp-content\/uploads\/47056866_296435110993428_2120917299589283840_n-1-160x231.jpg 160w, https:\/\/www.galeri-a.com.tr\/wp-content\/uploads\/47056866_296435110993428_2120917299589283840_n-1-640x925.jpg 640w\" sizes=\"auto, (max-width: 709px) 85vw, (max-width: 909px) 67vw, (max-width: 984px) 61vw, (max-width: 1362px) 45vw, 600px\" \/><\/p>\n<p>Ay\u015feg\u00fcl Do\u011fan, Bet\u00fcl G\u00fcney, Dicle \u00c7ift\u00e7i, Emre Aydos ve Fatih Altan&#8217;\u0131n eserlerinden olu\u015fan &#8220;Karma Sergi&#8221; 6-31 Aral\u0131k 2018 tarihleri aras\u0131nda Galeri A&#8217;da&#8230; T\u00fcm sanatseverleri bekliyoruz.<\/p>\n<p>Ay\u015feg\u00fcl Do\u011fan<br \/>\n\u0130zmir, 1990<br \/>\nDokuz Eyl\u00fcl G\u00fczel Sanatlar Fak\u00fcltesi Resim b\u00f6l\u00fcm\u00fc mezunu. \u00dcretimine Alsancak Umurbey Mahallesi\u2019nde (Dara\u011fa\u00e7) at\u00f6lyesinde devam etmektedir.<br \/>\n35. DYO Resim Yar\u0131\u015fmas\u0131 (2012) ve O\u2019Art Sanat Yar\u0131\u015fmas\u0131\u2019nda (2016) \u201cOtoportre\u201d ile birincilik \u00f6d\u00fcl\u00fc alm\u0131\u015ft\u0131r.<\/p>\n<p>Dicle \u00c7ift\u00e7i<br \/>\n29 ocak 1989<br \/>\n2009-2015 \u0130zmir Dokuz Eyl\u00fcl \u00dcniversitesi, G\u00fczel Sanatlar Fak\u00fcltesi,Resim B\u00f6l\u00fcm\u00fc mezunu. \u00c7al\u0131\u015fmalar\u0131na \u0130zmir\u2019de ki\u015fisel at\u00f6lyesinde devam ediyor.<\/p>\n<p>G\u00fcn\u00fcm\u00fcz medya ileti\u015fim ara\u00e7lar\u0131nda ve pek \u00e7ok alanda,\u00f6zellikle kad\u0131n bedeni \u00fczerinde kurulan b\u00fcy\u00fck bask\u0131 ve belli kal\u0131plara s\u0131\u011fd\u0131rma durumuyla \u00e7ok\u00e7a kar\u015f\u0131la\u015fmaktay\u0131z.Te\u015fhir edilen ve metala\u015ft\u0131r\u0131lan kad\u0131n bedeninin her zaman \u00e7ok daha fazla satmas\u0131,kendini izletmesi ka\u00e7\u0131n\u0131lmaz oldu\u011fu gibi,pek \u00e7ok sekt\u00f6rde kad\u0131n imgesinin b\u00f6ylesine kullan\u0131lmas\u0131 normalle\u015ftirilmi\u015ftir. Asl\u0131nda,kad\u0131n\u0131n karakterini olu\u015fturan ve onu \u00f6teki kad\u0131nlardan ay\u0131ran en \u00f6nemli \u015feylerden biri kusurdur.Bu sebeple,kad\u0131n\u0131n kusursuz olmas\u0131 gerekti\u011fi kural\u0131n\u0131 hi\u00e7e sayarak,toplum taraf\u0131ndan g\u00fczellik standartlar\u0131n\u0131n d\u0131\u015f\u0131nda kalan,oldu\u011fu gibi ve karakteristik fig\u00fcrleri kendime konu edindim.<\/p>\n<p>Fatih Altan<br \/>\n\u0130zmir, 1993<br \/>\n2011 y\u0131l\u0131nda Dokuz Eyl\u00fcl G\u00fczel Sanatlar Fak\u00fcltesi Resim b\u00f6l\u00fcm\u00fcne girdi. 2015 y\u0131l\u0131ndan beri ya\u015fam\u0131na ve \u00fcretimine Alsancak Umurbey Mahallesi\u2019ndeki (Dara\u011fa\u00e7) ki\u015fisel at\u00f6lyesinde devam ediyor. G\u00fcnl\u00fck ya\u015fam ve toplumsal haf\u0131za etkisinde \u00fcretti\u011fi i\u015flerinde, farkl\u0131 olgular\u0131 temsil eden renkleri anl\u0131k olaylar\u0131n tepkisel hareketiyle birle\u015ftiriyor. Refleksif geli\u015fen \u00fcretim s\u00fcrecinde, deneyimlenen ger\u00e7ekli\u011fi tan\u0131nmaz hale getirirken politik bir duru\u015f sergiliyor.<\/p>\n<p>Emre Aydos<br \/>\nAnkara, 1991<br \/>\nLisans e\u011fitimini Dokuz Eyl\u00fcl \u00dcniversitesi G\u00fczel Sanatlar Fak\u00fcltesi Seramik ve Cam Tasar\u0131m\u0131 B\u00f6l\u00fcm\u00fc&#8217;nde tamamlad\u0131. Ayn\u0131 okulda Seramik ve Cam Tasar\u0131m\u0131 B\u00f6l\u00fcm\u00fc\u2019nde y\u00fcksek lisans e\u011fitimine devam etmektedir. Ulusal ve uluslararas\u0131 bir\u00e7ok sempozyumlarda ve sergilerde yer alm\u0131\u015ft\u0131r.<br \/>\n\u0130nsan ya\u015fam\u0131 ile seramik olu\u015fum s\u00fcreci aras\u0131nda bir benzerlik kuruyor. \u0130nsanlar do\u011fumdan \u00f6l\u00fcme kadar hayat\u0131n farkl\u0131 evrelerinden ge\u00e7iyor ve bu a\u015famalar\u0131 \u00fc\u00e7 \u00f6nemli s\u00fcrece benzetiyor. Serami\u011fin kuruma s\u00fcrecini b\u00fcy\u00fcmekte olan bir bebe\u011fe, ilk pi\u015firimden sonraki s\u00fcreci gen\u00e7lik d\u00f6nemine ve s\u0131rlanma s\u00fcrecini ise ileri ya\u015flarda olgunla\u015fm\u0131\u015f, hayat\u0131n her evresini ya\u015fam\u0131\u015f bir insan ya\u015fam\u0131yla ili\u015fkilendirmektedir.<\/p>\n<p>Bet\u00fcl G\u00fcney<br \/>\n\u0130zmir, 1975<br \/>\n2001 &#8211; 1997 Dokuz Eyl\u00fcl \u00dcniversitesi G\u00fczel Sanatlar Fak\u00fcltesi mezunu.<br \/>\nYap\u0131bozumcu d\u00fc\u015f\u00fcnce bi\u00e7imi modernli\u011fin ele\u015ftirisini postmodern bir bak\u0131\u015fla ger\u00e7ekle\u015ftirir. Derida &#8216;n\u0131n ortaya koydu\u011fu yap\u0131bozumcu y\u00f6ntem ile metin incelendi\u011finde, b\u00fct\u00fcnl\u00fc\u011f\u00fcn bozularak tutarl\u0131\u011f\u0131n ortadan kalkmas\u0131, geleneksel kar\u015f\u0131tl\u0131klar\u0131n tersy\u00fcz edilmesi hedeflenir. Yap\u0131bozumcu y\u00f6ntem, bir metni ta\u015f\u0131yan \u00f6ze ula\u015fmay\u0131, metnin b\u00fcy\u00fcs\u00fcn\u00fc bozmay\u0131, ondaki \u00e7ift anlaml\u0131l\u0131klardan ve kar\u015f\u0131tl\u0131klardan yararlanarak metni tersy\u00fcz etmeyi, anla\u015f\u0131l\u0131rl\u0131\u011f\u0131n\u0131 ve okunurlulu\u011funu bozmay\u0131, a\u015f\u0131r\u0131 yorum ve zorlamayla ayn\u0131 metin i\u00e7inde ba\u015fka bir metin \u00e7\u0131karmay\u0131 hedefler. S\u00f6z konusu y\u00f6ntem, 2001 \u2013 2018 tarihleri aras\u0131nda ger\u00e7ekletirdi\u011fim i\u015flerin altyap\u0131s\u0131n\u0131 olu\u015fturur. \u0130lintilendirdi\u011fim i\u015flerde puzzle&#8217;s\u0131 bir estetikle;postmodern bir yakla\u015f\u0131mla, real ba\u011flar\u0131ndan kopar\u0131larak yap\u0131bozuma u\u011frat\u0131l\u0131p yeni bir estetik kurguyla tekrar resim d\u00fczlemindeki yerlerini almaktad\u0131r.<\/p>\n<p>Karma sergi, 6-31 Aral\u0131k 2018 tarihleri aras\u0131nda Galeri A&#8217;da izleyiciye sunulacakt\u0131r.<\/p>\n<p><a href=\"https:\/\/l.facebook.com\/l.php?u=http%3A%2F%2Fwww.galeri-a.com.tr%2F%3Ffbclid%3DIwAR1FDhsJK3aw72vy3NqtICNU3SqduhCznwMrHfCu47u31KxgwCFcMw_IZK8&amp;h=AT3HyZq66AhS7tMiFE4tJOgQnOaKRXIpaaZ6RsMmb8KkCVSUoZH7jzRgBZeZToR3bFkP1TY2TMRB-VZGVItO6N6_mC4jp36mBIzw1XRz1MihJuFkoRU4goyXVoQSg4ajklu7\" target=\"_blank\" rel=\"nofollow noopener noreferrer\" data-lynx-mode=\"hover\">www.galeri-a.com.tr<\/a><br \/>\ntwitter: @galeri_a_izmir<br \/>\ninstagram: @galeri_a_izmir<br \/>\nfacebook\/Asanatgalerisi<\/p>\n\n<div class=\"twitter-share\"><a href=\"https:\/\/twitter.com\/intent\/tweet?via=galeri_a_izmir\" class=\"twitter-share-button\">Tweet<\/a><\/div>\n","protected":false},"excerpt":{"rendered":"<p>Ay\u015feg\u00fcl Do\u011fan, Bet\u00fcl G\u00fcney, Dicle \u00c7ift\u00e7i, Emre Aydos ve Fatih Altan&#8217;\u0131n eserlerinden olu\u015fan &#8220;Karma Sergi&#8221; 6-31 Aral\u0131k 2018 tarihleri aras\u0131nda Galeri A&#8217;da&#8230; T\u00fcm sanatseverleri bekliyoruz. Ay\u015feg\u00fcl Do\u011fan \u0130zmir, 1990 Dokuz Eyl\u00fcl G\u00fczel Sanatlar Fak\u00fcltesi Resim b\u00f6l\u00fcm\u00fc mezunu. \u00dcretimine Alsancak Umurbey Mahallesi\u2019nde (Dara\u011fa\u00e7) at\u00f6lyesinde devam etmektedir. 35. DYO Resim Yar\u0131\u015fmas\u0131 (2012) ve O\u2019Art Sanat Yar\u0131\u015fmas\u0131\u2019nda (2016) &hellip; <a href=\"https:\/\/www.galeri-a.com.tr\/index.php\/2018\/12\/01\/karma-sergi-2\/\" class=\"more-link\">Okumaya devam et<span class=\"screen-reader-text\"> &#8220;Karma Sergi&#8221;<\/span><\/a><\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[13,8],"tags":[],"class_list":["post-632","post","type-post","status-publish","format-standard","hentry","category-arsiv","category-sergiler"],"_links":{"self":[{"href":"https:\/\/www.galeri-a.com.tr\/index.php\/wp-json\/wp\/v2\/posts\/632","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.galeri-a.com.tr\/index.php\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.galeri-a.com.tr\/index.php\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.galeri-a.com.tr\/index.php\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/www.galeri-a.com.tr\/index.php\/wp-json\/wp\/v2\/comments?post=632"}],"version-history":[{"count":2,"href":"https:\/\/www.galeri-a.com.tr\/index.php\/wp-json\/wp\/v2\/posts\/632\/revisions"}],"predecessor-version":[{"id":769,"href":"https:\/\/www.galeri-a.com.tr\/index.php\/wp-json\/wp\/v2\/posts\/632\/revisions\/769"}],"wp:attachment":[{"href":"https:\/\/www.galeri-a.com.tr\/index.php\/wp-json\/wp\/v2\/media?parent=632"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.galeri-a.com.tr\/index.php\/wp-json\/wp\/v2\/categories?post=632"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.galeri-a.com.tr\/index.php\/wp-json\/wp\/v2\/tags?post=632"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}