{"id":1224,"date":"2026-10-16T13:25:34","date_gmt":"2026-10-16T10:25:34","guid":{"rendered":"https:\/\/www.galeri-a.com.tr\/?p=1224"},"modified":"2026-10-16T13:25:34","modified_gmt":"2026-10-16T10:25:34","slug":"bengi-donus","status":"publish","type":"post","link":"https:\/\/www.galeri-a.com.tr\/index.php\/2026\/10\/16\/bengi-donus\/","title":{"rendered":"BENG\u0130\/D\u00d6N\u00dc\u015e"},"content":{"rendered":"\n
\"\"<\/figure>\n\n\n\n

BENG\u0130 D\u00d6N\u00dc\u015e (23.10.2026 \u2013 03.11.2026)
Sergi Metni
Zaman\u0131n b\u00fck\u00fcld\u00fc\u011f\u00fcn\u00fc d\u00fc\u015f\u00fcn\u00fcn; iyice b\u00fck\u00fcld\u00fc\u011f\u00fcn\u00fc ve bir \u00e7ember haline geldi\u011fini. Nihayetinde,
son denilen yerde zaman yeniden ba\u015fl\u0131yor. Nietzsche zaman\u0131 tam olarak b\u00f6yle hayal etmemizi
istiyor. B\u00f6ylelikle maddenin ve hareketin sonlu enerjisi, sonsuz d\u00f6ng\u00fcn\u00fcn i\u00e7erisinde yeniden
ya\u015fam buluyor. Kainatta her \u015fey yeni ba\u015ftan ya\u015fan\u0131yor. Fakat bu yaln\u0131zca bir kavray\u0131\u015f de\u011fil,
akl\u0131m\u0131z\u0131 zorlayan etik bir problem. \u00c7\u00fcnk\u00fc Nietzsche bize \u015funu soruyor: Ya\u015fad\u0131\u011f\u0131n bu hayat\u0131 en
k\u00fc\u00e7\u00fck ayr\u0131nt\u0131s\u0131na kadar, t\u00fcm ac\u0131lar\u0131n ve sevin\u00e7lerinle, hatalar\u0131nla ve pi\u015fmanl\u0131klar\u0131nla ebediyen
tekrar tekrar ya\u015famak zorunda olsayd\u0131n, yine de ya\u015fama evet diyebilir miydin? Kaderini sevebilir
miydin?
\u2026
\u00d6yleyse d\u00f6ng\u00fcye bir kez daha bak! Bir kez daha bak! \u00c7\u00fcnk\u00fc ona daha sonra tekrar bakacaks\u0131n.
“BENG\u0130 D\u00d6N\u00dc\u015e” sergisi, G\u00fclay Y\u0131ld\u0131r\u0131m ve Semi Arslan’\u0131n kendi \u00e7al\u0131\u015fmalar\u0131 \u00fczerinden bu
varolu\u015fsal d\u00f6ng\u00fcy\u00fc, zaman\u0131, haf\u0131zay\u0131 ve tekrar\u0131 maddenin halleriyle yeniden yorumlad\u0131klar\u0131 ortak
bir e\u015fik olarak kar\u015f\u0131m\u0131za \u00e7\u0131k\u0131yor.
G\u00fclay Y\u0131ld\u0131r\u0131m, g\u00f6rsel haf\u0131za, organik formlar ve dili bir araya getirerek aralar\u0131ndaki karma\u015f\u0131k
ili\u015fkiyi \u00e7al\u0131\u015fmalar\u0131n\u0131n merkezine ta\u015f\u0131yor. Amorf yap\u0131lar, Y\u0131ld\u0131r\u0131m\u2019\u0131n eserlerinde yeniden bi\u00e7im
kazan\u0131rken dairesel formlar, t\u00fcm boyutlar\u0131yla dolu olan zaman\u0131n tam ortas\u0131nda, i\u00e7sel
yolculuklar\u0131m\u0131z\u0131, kay\u0131plar\u0131m\u0131z\u0131 ve bo\u015fluklar\u0131m\u0131z\u0131 dile getiriyor. Kolaj ve kar\u0131\u015f\u0131k tekniklerle in\u015fa
edilen y\u00fczeylerdeki s\u00f6zc\u00fckler, bu anlat\u0131ya destek vererek kompozisyonun i\u00e7erisinde kendinlerine
bir yer buluyor ve d\u00f6ng\u00fcye e\u015flik ediyor. Ham dokular ve kontroll\u00fc \u00e7izgiler aras\u0131ndaki uyu\u015fmazl\u0131k,
ya\u015fam\u0131n dura\u011fanl\u0131\u011f\u0131na kar\u015f\u0131n i\u00e7indeki devinimi ve diyalekti\u011fi simgeliyor. Formlar arac\u0131l\u0131\u011f\u0131yla
izleyici i\u00e7sel bir yolculu\u011fa \u00e7\u0131k\u0131yor; anlat\u0131n\u0131n kendini yeniden \u00fcreten haf\u0131zas\u0131yla y\u00fczle\u015fiyor.
B\u00f6ylelikle soru tekrar kar\u015f\u0131m\u0131za \u00e7\u0131k\u0131yor: Yine de ya\u015fama evet diyebilir miydin?
Semi Arslan ise bu d\u00f6ng\u00fcye, zaman\u0131 durdurma ve tam da \u201c\u015fu an\u0131 geni\u015fletme\u201d \u00e7abas\u0131yla kat\u0131l\u0131yor.
R\u00fczgara kap\u0131lm\u0131\u015f, gelece\u011fe s\u00fcr\u00fcklenen \u201cTarih Mele\u011fi\u201d, Arslan\u2019\u0131n eserlerinde hem ge\u00e7mi\u015fe hem de
gelece\u011fe meydan okuyor. \u00c7izgilerdeki \u0131srar, bengi d\u00f6n\u00fc\u015f\u00fc durdurmaya \u00e7al\u0131\u015fan bir irade ortaya
koyuyor. \u201cAn\u2019\u0131 nas\u0131l durdurabiliriz?\u201d sorusunun pe\u015fine d\u00fc\u015fen sanat\u00e7\u0131, cevab\u0131 d\u00fc\u015f\u00fcncede de\u011fil,
renklerde ar\u0131yor. I\u015f\u0131\u011f\u0131 emen, hareketi g\u00f6r\u00fcnmez k\u0131lan ve zaman\u0131n \u00fcst\u00fcn\u00fc bir perde gibi \u00f6rten
siyah, bizi cevaba yak\u0131nla\u015ft\u0131r\u0131yor. Ancak \u00e7izgilere biraz daha yak\u0131nla\u015ft\u0131k\u00e7a, Vantablack\u2019in yaratt\u0131\u011f\u0131
mutlak karanl\u0131\u011f\u0131n i\u00e7inde kurtulmaya \u00e7al\u0131\u015fan hareketi se\u00e7ebiliyoruz. An\u2019\u0131n i\u00e7inde Arslan hareketi
\u00f6ld\u00fcrm\u00fcyor; onu zaman\u0131n i\u00e7ine hapsederek sonsuzlu\u011fa a\u00e7\u0131lan yeni kap\u0131lar yarat\u0131yor.
“BENG\u0130 D\u00d6N\u00dc\u015e”, iki sanat\u00e7\u0131n\u0131n maddenin ve formun diliyle zaman\u0131 yontma giri\u015fimidir. Y\u0131ld\u0131r\u0131m’\u0131n
ya\u015fam\u0131n devinimini ve haf\u0131zas\u0131n\u0131 organik formlarla d\u00f6ng\u00fcye sokan y\u00fczeyleri ile Arslan’\u0131n an\u0131
geni\u015fleterek zaman\u0131 i\u00e7ine hapseden karanl\u0131k e\u015fikleri bu sergide diyalog kuruyor.<\/p>\n\n

Tweet<\/a><\/div>\n","protected":false},"excerpt":{"rendered":"

BENG\u0130 D\u00d6N\u00dc\u015e (23.10.2026 \u2013 03.11.2026)Sergi MetniZaman\u0131n b\u00fck\u00fcld\u00fc\u011f\u00fcn\u00fc d\u00fc\u015f\u00fcn\u00fcn; iyice b\u00fck\u00fcld\u00fc\u011f\u00fcn\u00fc ve bir \u00e7ember haline geldi\u011fini. Nihayetinde,son denilen yerde zaman yeniden ba\u015fl\u0131yor. Nietzsche zaman\u0131 tam olarak b\u00f6yle hayal etmemiziistiyor. B\u00f6ylelikle maddenin ve hareketin sonlu enerjisi, sonsuz d\u00f6ng\u00fcn\u00fcn i\u00e7erisinde yenidenya\u015fam buluyor. Kainatta her \u015fey yeni ba\u015ftan ya\u015fan\u0131yor. Fakat bu yaln\u0131zca bir kavray\u0131\u015f de\u011fil,akl\u0131m\u0131z\u0131 zorlayan etik bir problem. … Okumaya devam et “BENG\u0130\/D\u00d6N\u00dc\u015e”<\/span><\/a><\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[8],"tags":[],"class_list":["post-1224","post","type-post","status-publish","format-standard","hentry","category-sergiler"],"_links":{"self":[{"href":"https:\/\/www.galeri-a.com.tr\/index.php\/wp-json\/wp\/v2\/posts\/1224","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.galeri-a.com.tr\/index.php\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.galeri-a.com.tr\/index.php\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.galeri-a.com.tr\/index.php\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/www.galeri-a.com.tr\/index.php\/wp-json\/wp\/v2\/comments?post=1224"}],"version-history":[{"count":1,"href":"https:\/\/www.galeri-a.com.tr\/index.php\/wp-json\/wp\/v2\/posts\/1224\/revisions"}],"predecessor-version":[{"id":1226,"href":"https:\/\/www.galeri-a.com.tr\/index.php\/wp-json\/wp\/v2\/posts\/1224\/revisions\/1226"}],"wp:attachment":[{"href":"https:\/\/www.galeri-a.com.tr\/index.php\/wp-json\/wp\/v2\/media?parent=1224"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.galeri-a.com.tr\/index.php\/wp-json\/wp\/v2\/categories?post=1224"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.galeri-a.com.tr\/index.php\/wp-json\/wp\/v2\/tags?post=1224"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}