{"id":1095,"date":"2024-12-12T15:12:55","date_gmt":"2024-12-12T12:12:55","guid":{"rendered":"https:\/\/www.galeri-a.com.tr\/?p=1095"},"modified":"2024-12-12T15:12:56","modified_gmt":"2024-12-12T12:12:56","slug":"sergi-epic-future-onlar-gercekti-bunlar-hakikat","status":"publish","type":"post","link":"https:\/\/www.galeri-a.com.tr\/index.php\/2024\/12\/12\/sergi-epic-future-onlar-gercekti-bunlar-hakikat\/","title":{"rendered":"SERG\u0130: EPIC FUTURE (ONLAR GER\u00c7EKT\u0130, BUNLAR HAK\u0130KAT!)"},"content":{"rendered":"\n<p><strong>E P I C&nbsp;&nbsp; F U T U R E&nbsp;<\/strong><\/p>\n\n\n\n<p><strong><em>Epic Future<\/em><\/strong> (<em>Destans\u0131 \/ \u015eiirsel Gelecek)<\/em> ba\u015fl\u0131kl\u0131 bu sergi <strong>EKREM KAHRAMAN<\/strong>&#8216;n\u0131n 8-10 y\u0131l\u0131<\/p>\n\n\n\n<p>kapsayan son d\u00f6nem \u00e7al\u0131\u015fmalar\u0131ndan 3 farkl\u0131 tarzda birka\u00e7 b\u00fcy\u00fck \/ k\u00fc\u00e7\u00fck boyutlu<\/p>\n\n\n\n<p>\u00e7al\u0131\u015fmas\u0131n\u0131n birlikte sunuldu\u011fu bir\u201c<strong>\u00d6N SUNUM<\/strong>\u201d sergisi&#8230;<\/p>\n\n\n\n<p>Sergi, T\u00fcrk Tarih Kurumunun kurucu \u00fcyelerinden olan ve \u201cKazanl\u0131 Yusuf Ak\u00e7ura\u201d olarak da tan\u0131nan<\/p>\n\n\n\n<p><strong>Yusuf Ak\u00e7ura<\/strong>&#8216;n\u0131n \u00fcnl\u00fc \u201ctarih tezi\u201d<strong> <em>\u00dc\u00e7 Tarz\u0131 Siyaset<\/em><\/strong>&#8216;ten ilhamlakurgulan\u0131yor.<\/p>\n\n\n\n<p>D\u00fcnyan\u0131n \u00f6nde gelen<strong> F\u00fct\u00fcrist&#8217;<\/strong>lerinin<strong> Gelecek <\/strong>\u00f6ng\u00f6r\u00fclerine g\u00f6re d\u00fcnyam\u0131z \/ insanl\u0131k yeniden ve<\/p>\n\n\n\n<p>yepyeni bir tarihsel s\u00fcrece \/ \u00e7a\u011fa evriliyor. Bir yandan b\u00fcy\u00fck bir siyasi, ekonomik, toplumsal, insani, ahlaki, k\u00fclt\u00fcrel vb. \u00e7\u00f6k\u00fc\u015f \u00f6ng\u00f6r\u00fcleri y\u00fckselirken bir yandan da tarih boyunca hep olageldi\u011fi gibi bir t\u00fcr \u00e7a\u011f\u0131m\u0131z\u0131n en \u00f6nemli \u00e7a\u011fda\u015f gelecek olanaklar\u0131n\u0131n liste ba\u015f\u0131na konulmaya \u00e7al\u0131\u015f\u0131lan bilimsel teknolojik bulu\u015f olarak<\/p>\n\n\n\n<p><strong>Yapay Zeka<\/strong> tart\u0131\u015fmalar\u0131n\u0131n y\u00fckseltildi\u011fi yeni bir \u00e7a\u011fa do\u011fru ilerliyoruz.<strong><\/strong><\/p>\n\n\n\n<p>Bir bak\u0131ma halen b\u00fcy\u00fck bir karga\u015fa \/kaos i\u00e7erisinden ge\u00e7iyor oldu\u011fumuz g\u00fcn\u00fcm\u00fcz d\u00fcnyas\u0131n\u0131n<\/p>\n\n\n\n<p>insani ve toplumsal d\u00fczeninin de ba\u015flang\u0131c\u0131 say\u0131labilecek <strong>Sanayi Devrimi <\/strong>ile geli\u015ferek ilerleyen<\/p>\n\n\n\n<p>tarihsel s\u00fcrecin <strong>Birinci ve \u0130kinci D\u00fcnya Sava\u015flar\u0131<\/strong> sonras\u0131nda hi\u00e7 de ola\u011fan g\u00f6r\u00fcnmeyen yeni tip<\/p>\n\n\n\n<p>bir d\u00fcnya sava\u015flar\u0131 d\u00f6neminde ad\u0131m ad\u0131m ilerlemekteyiz. Rusya &#8211; Ukrayna Sava\u015f\u0131, Ortado\u011fu&#8217;da,<\/p>\n\n\n\n<p>Suriye&#8217;de, Gazze&#8217;de, L\u00fcbnan&#8217;da vd. f\u00fczelerle, dronlarla, suikastlar, b\u00f6l\u00fcnmeler, siyasi alt \u00fcst olu\u015flar,<\/p>\n\n\n\n<p>iktidar de\u011fi\u015fiklikleri vb. yeni sava\u015f taktikleri ve ara\u00e7larla s\u00fcrd\u00fcr\u00fclen b\u00fcy\u00fck katliamlar<\/p>\n\n\n\n<p>salt insanl\u0131ktan, toplumdan, sanattan, bilimden, k\u00fclt\u00fcrden uzak sanat alanlar\u0131n da ya\u015fanan<\/p>\n\n\n\n<p>d\u00f6n\u00fc\u015f\u00fcmlerden kopuk \u015feyler olarak alg\u0131lanabilir mi?<strong><\/strong><\/p>\n\n\n\n<p>\u00dcnl\u00fc Alman felsefeci <strong>Friedrich Engels <\/strong>(1820 \u2013 1895) \u201c<strong>Ailenin, \u00d6zel M\u00fclkiyetin ve Devletin Temeli<\/strong>\u201d<\/p>\n\n\n\n<p>(\u0130\u015f Bankas\u0131 Yay\u0131nlar\u0131) ba\u015fl\u0131kl\u0131 eserinde d\u00f6neminin Amerikal\u0131 \u00f6nc\u00fc antropologu <strong>Lewis H. Morgan<\/strong>\u2019\u0131n yaban\u0131ll\u0131k-barbarl\u0131k-uygarl\u0131k ayr\u0131mlar\u0131 \u00fczerine \u00f6ne s\u00fcrd\u00fc\u011f\u00fc tezleri ile <strong>Karl Marx<\/strong>\u2019\u0131n elyazmalar\u0131ndan<\/p>\n\n\n\n<p>yola \u00e7\u0131karak insanl\u0131\u011f\u0131n kabile toplumundan \u00e7ekirdek aileye, soy d\u00fczeninden devlete uzanan geli\u015fimini<\/p>\n\n\n\n<p>materyalist bir tarih kavray\u0131\u015f\u0131yla ilerleyerek yeni bir iddiada bulunmu\u015ftu.<\/p>\n\n\n\n<p>Engels&#8217;e g\u00f6re, <strong>Sanayi Devrimi<\/strong>&#8216;nden \u00f6nce <strong>\u0130nsan<\/strong> ger\u00e7ek anlamda insan de\u011fildi. \u0130nsan\u0131n \u201c<strong>insanla\u015fmas\u0131<\/strong>\u201d&nbsp; s\u00fcreci esas olarak Sanayi Devrimi ile birlikte yeni bir \u201c\u0130nsanile\u015fme\u201d s\u00fcrecine evirilmi\u015fti.<\/p>\n\n\n\n<p>Ayn\u0131 zamanda \u00fclkemizin dikkat \u00e7ekici bir d\u00fc\u015f\u00fcn\u00fcr\u00fc ve entelekt\u00fceli de olan<\/p>\n\n\n\n<p><strong>Ekrem Kahraman<\/strong>&#8216;a g\u00f6re: insan\u0131n insanla\u015fma \/ uygarla\u015fma s\u00fcreci g\u00fcn\u00fcm\u00fczde de hem \u201cbir ad\u0131m ileriye<\/p>\n\n\n\n<p>&nbsp;iki ad\u0131m geriye\u201d hem de \u201cbir ad\u0131m geriye iki ad\u0131m ileriye do\u011fru\u201d ko\u015farak ve h\u0131zla ilerlemeye devam ediyor.<\/p>\n\n\n\n<p>Tarihsel F\u00fct\u00fcrist ressam \/ sanat\u00e7\u0131lar \u201ch\u0131z\u201d kavram\u0131n\u0131 resimlemeye \u00e7al\u0131\u015fm\u0131\u015flard\u0131. Bir sanat\u00e7\u0131 olarak<\/p>\n\n\n\n<p>Kahraman g\u00fcn\u00fcm\u00fcz sanat\u00e7\u0131lar\u0131n\u0131n halen hem o \u201ch\u0131z\u201d\u0131n metaforlar\u0131na kap\u0131lm\u0131\u015f durumunda olduklar\u0131n\u0131,<\/p>\n\n\n\n<p>hem de bu b\u00fcy\u00fck k\u00fclt\u00fcrel \u201ch\u0131z\u201d azg\u0131nl\u0131\u011f\u0131 y\u0131k\u0131nt\u0131lar\u0131 aras\u0131nda \u201cel yordam\u0131yla\u201d gezinerek ilermeye ve<\/p>\n\n\n\n<p>o a\u015f\u0131r\u0131 abart\u0131lm\u0131\u015f piyasa d\u00fcrt\u00fcleriyle \u00e7al\u0131\u015ft\u0131klar\u0131n\u0131 d\u00fc\u015f\u00fcnd\u00fc\u011f\u00fcn\u00fc a\u00e7\u0131klamaktan \u00e7ekinmiyor.<\/p>\n\n\n\n<p>Sanat\u00e7\u0131, g\u00fcn\u00fcm\u00fczde t\u0131pk\u0131 bireysel toplumsal, siyasi, ekonomik, bilimsel, k\u00fclt\u00fcrel, ahlaki, vb.<\/p>\n\n\n\n<p>alanlarda oldu\u011fu gibi sanatta da B\u00dcT\u00dcN D\u00dcNYADA B\u0130RDEN AYNI ANDA b\u00fcy\u00fck bir ALT\u00dcST olma<\/p>\n\n\n\n<p>hali ya\u015fand\u0131\u011f\u0131n\u0131 d\u00fc\u015f\u00fcn\u00fcyor. K\u00fclt\u00fcr bilimcilerinin b\u00fcy\u00fck bir safdillikle kal\u0131c\u0131 olmas\u0131 gerekti\u011fini<\/p>\n\n\n\n<p>d\u00fc\u015f\u00fcnd\u00fckleri ya da bizlerin de -belki i\u00e7ten i\u00e7te- \u00f6yle olmas\u0131n\u0131 umdu\u011fumuz \/ sand\u0131\u011f\u0131m\u0131z hi\u00e7bir \u015feyin<\/p>\n\n\n\n<p>art\u0131k eskisi gibi olmayaca\u011f\u0131n\u0131 art\u0131k \u00e7ok \u00e7ok yak\u0131n\u0131m\u0131zda ve derinden hissedebiliyoruz.<\/p>\n\n\n\n<p>\u00c7\u00fcnk\u00fc yeni yepyeni bir tarihsel yeni \u00e7a\u011fa \/ d\u00f6neme evrilmi\u015f durumday\u0131z.<\/p>\n\n\n\n<p>Muhtemel ki: kesinlikle tarihsel bir \u00e7a\u011fdan yepyeni bir tarihsel \u00e7a\u011fa ge\u00e7iyoruz.&nbsp; Bu yeni \u00e7a\u011f\u0131n sanat,<\/p>\n\n\n\n<p>k\u00fclt\u00fcr, tarih, ahlak vb. b\u00fct\u00fcn konularda birden \u201cz\u0131vanadan \u00e7\u0131km\u0131\u015f\u201d gibi g\u00f6r\u00fcnen her t\u00fcrden insani<\/p>\n\n\n\n<p>ve toplumsal olan\u0131n yeniden yeniden kendi tarihsel rotas\u0131na d\u00f6nece\u011fi, yeni \u00e7a\u011f\u0131n yeni sanat\u0131n\u0131<\/p>\n\n\n\n<p>k\u00fclt\u00fcr\u00fcn\u00fc ya\u015fama formatlar\u0131n\u0131 ortaya koyaca\u011f\u0131 yepyeni bir d\u00f6neme evrilecek olmas\u0131d\u0131r.<\/p>\n\n\n\n<p><strong>Ekrem Kahraman<\/strong>, b\u00fct\u00fcn d\u00fcnyan\u0131n ve insanl\u0131\u011f\u0131n b\u00fcy\u00fck bir kafa kar\u0131\u015f\u0131kl\u0131\u011f\u0131na, ahlaki kaosa, k\u00fclt\u00fcrel yozla\u015fmayla birlikte derin bir umutsuzlu\u011fa \/\u00e7aresizli\u011fe kap\u0131ld\u0131\u011f\u0131 g\u00fcn\u00fcm\u00fcz d\u00fcnyas\u0131n\u0131n karga\u015fas\u0131nda<\/p>\n\n\n\n<p>hem bir sanat\u00e7\u0131 hem de GELECEK \u00f6ng\u00f6r\u00fcleri olduk\u00e7a y\u00fcksek felsefi bir bilince sahip<\/p>\n\n\n\n<p>entelekt\u00fcel bir kimlik olarak san\u0131ld\u0131\u011f\u0131n\u0131n aksine insanl\u0131\u011f\u0131n yaln\u0131zca art\u0131k apa\u00e7\u0131k g\u00f6r\u00fcnen ve<\/p>\n\n\n\n<p>kabul g\u00f6ren \u201cB\u00dcY\u00dcK B\u0130R \u00c7\u00d6K\u00dc\u015e\u201d ten \u00e7ok bir yandan da b\u00fct\u00fcn insanl\u0131k tarihi boyunca<\/p>\n\n\n\n<p>toplumsal k\u00fclt\u00fcrel olarak hep ola\u011fan bir bi\u00e7imde olageldi\u011fi gibi yepyeni ve b\u00fcy\u00fck bir<\/p>\n\n\n\n<p>\u201cEPIC FUTURE\u201da do\u011fru evirildi\u011fimizi \u00f6ne s\u00fcr\u00fcyor.<\/p>\n\n\n\n<p>Fakat Kahraman bir yandan da t\u0131pk\u0131 tarih boyunca hep ya\u015fand\u0131\u011f\u0131 gibi<\/p>\n\n\n\n<p>&nbsp;i\u00e7inden ge\u00e7iliyor olan hi\u00e7bir tarihsel s\u00fcrecin bu s\u00fcre\u00e7te ya\u015fayan insanlar \/ toplumlar taraf\u0131ndan<\/p>\n\n\n\n<p>yeterince ve tam olarak anla\u015f\u0131lamad\u0131\u011f\u0131 gibi bu yeni \u00e7a\u011fsal s\u00fcrecin de g\u00fcn\u00fcm\u00fcz entelekt\u00fcelleri,<\/p>\n\n\n\n<p>gelecek \u00f6ng\u00f6r\u00fcc\u00fcleri taraf\u0131ndan hen\u00fcz b\u00fct\u00fcn boyutlar\u0131 ve ger\u00e7ekli\u011fiyle birlikte<\/p>\n\n\n\n<p>yeterince anla\u015f\u0131lmam\u0131\u015f oldu\u011funu iddia ediyor.<\/p>\n\n\n\n<p>Sanat\u00e7\u0131ya g\u00f6re: bu s\u00fcre\u00e7 yaln\u0131zca hayat\u0131n siyasetin ekonominin teknolojinin de\u011fer yarg\u0131lar\u0131n\u0131n de\u011fil<\/p>\n\n\n\n<p>ayn\u0131 zamanda ger\u00e7ek bilimin sanat\u0131n felsefenin ve k\u00fclt\u00fcrel bir varl\u0131k olan insan eyleminin<\/p>\n\n\n\n<p>en belirleyici \u00f6zelli\u011fi san\u0131ld\u0131\u011f\u0131n\u0131n aksine salt paraya \u201cpiyasa\u201dya evrilerek teslim olmas\u0131 ve<\/p>\n\n\n\n<p>b\u00f6ylece zamanla kullan\u0131\u015fl\u0131 bir enstr\u00fcmana d\u00f6n\u00fc\u015fmesi de\u011fil kadim yarat\u0131c\u0131<\/p>\n\n\n\n<p>yeni k\u00fclt\u00fcrel edimlere geri d\u00f6n\u00fc\u015f\u00fcyle sonu\u00e7lanacakt\u0131r.<\/p>\n\n\n\n<p>\u0130nsan da sanat da k\u00fclt\u00fcr de toplum da tarih de bilim de siyaset de bu yeni \u00e7a\u011f\u0131n \/<\/p>\n\n\n\n<p>d\u00f6nemin \u00f6z\u00fcn\u00fc arayacak ke\u015ffedecek gelecekte olacak olan yeniyi YEN\u0130 HAK\u0130KAT\u0130,<\/p>\n\n\n\n<p>as\u0131l DE\u011eERL\u0130&#8217;yi, bu \u00e7a\u011fa ait olan\u0131n hakikatini mutlaka yeni formlarla, i\u00e7erik ve kavramlarla<\/p>\n\n\n\n<p>iddia etmeye devam edecektir. Zaten sanat da bilim de k\u00fclt\u00fcr de bu b\u00fcy\u00fck insanl\u0131k aray\u0131\u015flar\u0131n\u0131n<\/p>\n\n\n\n<p>en insani en kadim \u00e7a\u011fda\u015f edimleri ve belirtileri de\u011fil de nedir ki?<\/p>\n\n\n\n<p>EPIC FUTURE ba\u015fl\u0131kl\u0131 bu sergide sanat\u00e7\u0131n\u0131n uzunca bir s\u00fcredir s\u00fcrd\u00fcrd\u00fc\u011f\u00fc bilindik<\/p>\n\n\n\n<p>&nbsp;\u201cKAR\u015eILIKSIZ \u00dcTOPYA\u201d, \u201cHATIRLAMA VE S\u00d6YLEME ZAMANLARI\u201d, \u201cYERY\u00dcZ\u00dc DUALARI\u201d vd. \u00e7izgisinin en tipik resmi say\u0131labilecek \u201cYERY\u00dcZ\u00dc AYETLER\u0130\u201d (200X200 cm.) ile bu \u00e7izginin<\/p>\n\n\n\n<p>hen\u00fcz sergilenmemi\u015f yeni dizisi \u201cONLAR GER\u00c7EKT\u0130 BUNLAR HAK\u0130KAT!\u201d resimlerinden<\/p>\n\n\n\n<p>&nbsp;(160X195 cm. boyutlar\u0131nda yeni bir resminin ba\u015f\u0131 \u00e7ekti\u011fi bir ka\u00e7 tuvalin yan\u0131 s\u0131ra,<\/p>\n\n\n\n<p>insanl\u0131k tarihinde \u00f6nemli bir s\u0131\u00e7rama olarak g\u00f6rd\u00fc\u011f\u00fc <strong>Mezopotamya Mitolojisi<\/strong>&#8216;nden hareketle<\/p>\n\n\n\n<p>\u00fcretmi\u015f oldu\u011fu \u201cMEZOPOTAMYA S\u00d6YLEMLER\u0130\u201d dizisinden bir resmi (200X200 cm.) ile<\/p>\n\n\n\n<p>tarihte Antik Yunan Mitolojisindeki ilk <strong>Sanat Tanr\u0131s\u0131 Apollon<\/strong> ile <strong>\u015earap Tanr\u0131s\u0131<\/strong> olarak g\u00f6r\u00fclen<\/p>\n\n\n\n<p><strong>Dionysos<\/strong> birle\u015fi\u011fi olarak beliren yeni ve ilk ERKEN \u00c7A\u011eDA\u015e SANAT\u00c7I tipolojisi olarak<\/p>\n\n\n\n<p>\u00f6ne s\u00fcrd\u00fc\u011f\u00fc ve R\u00f6nesans resminde de \u00e7ok\u00e7a tekrarlanan mitolojik kahraman \u201c\u0130KARUS\u201d dizisi<\/p>\n\n\n\n<p>resimlerinden triptik (120X240 cm.) ka\u011f\u0131t \u00fczeri \u00e7al\u0131\u015fmas\u0131 yer al\u0131yor&#8230;<\/p>\n\n<div class=\"twitter-share\"><a href=\"https:\/\/twitter.com\/intent\/tweet?via=galeri_a_izmir\" class=\"twitter-share-button\">Tweet<\/a><\/div>\n","protected":false},"excerpt":{"rendered":"<p>E P I C&nbsp;&nbsp; F U T U R E&nbsp; Epic Future (Destans\u0131 \/ \u015eiirsel Gelecek) ba\u015fl\u0131kl\u0131 bu sergi EKREM KAHRAMAN&#8216;n\u0131n 8-10 y\u0131l\u0131 kapsayan son d\u00f6nem \u00e7al\u0131\u015fmalar\u0131ndan 3 farkl\u0131 tarzda birka\u00e7 b\u00fcy\u00fck \/ k\u00fc\u00e7\u00fck boyutlu \u00e7al\u0131\u015fmas\u0131n\u0131n birlikte sunuldu\u011fu bir\u201c\u00d6N SUNUM\u201d sergisi&#8230; Sergi, T\u00fcrk Tarih Kurumunun kurucu \u00fcyelerinden olan ve \u201cKazanl\u0131 Yusuf Ak\u00e7ura\u201d olarak da tan\u0131nan &hellip; <a href=\"https:\/\/www.galeri-a.com.tr\/index.php\/2024\/12\/12\/sergi-epic-future-onlar-gercekti-bunlar-hakikat\/\" class=\"more-link\">Okumaya devam et<span class=\"screen-reader-text\"> &#8220;SERG\u0130: EPIC FUTURE (ONLAR GER\u00c7EKT\u0130, BUNLAR HAK\u0130KAT!)&#8221;<\/span><\/a><\/p>\n","protected":false},"author":1,"featured_media":1096,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[8],"tags":[],"class_list":["post-1095","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-sergiler"],"_links":{"self":[{"href":"https:\/\/www.galeri-a.com.tr\/index.php\/wp-json\/wp\/v2\/posts\/1095","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.galeri-a.com.tr\/index.php\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.galeri-a.com.tr\/index.php\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.galeri-a.com.tr\/index.php\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/www.galeri-a.com.tr\/index.php\/wp-json\/wp\/v2\/comments?post=1095"}],"version-history":[{"count":1,"href":"https:\/\/www.galeri-a.com.tr\/index.php\/wp-json\/wp\/v2\/posts\/1095\/revisions"}],"predecessor-version":[{"id":1097,"href":"https:\/\/www.galeri-a.com.tr\/index.php\/wp-json\/wp\/v2\/posts\/1095\/revisions\/1097"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/www.galeri-a.com.tr\/index.php\/wp-json\/wp\/v2\/media\/1096"}],"wp:attachment":[{"href":"https:\/\/www.galeri-a.com.tr\/index.php\/wp-json\/wp\/v2\/media?parent=1095"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.galeri-a.com.tr\/index.php\/wp-json\/wp\/v2\/categories?post=1095"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.galeri-a.com.tr\/index.php\/wp-json\/wp\/v2\/tags?post=1095"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}