Laure Daviron
Laure Daviron\u2019un \u00f6vg\u00fcye de\u011fer detayc\u0131l\u0131\u011f\u0131, eserlerinin nadiren sergilenmesine yol a\u00e7m\u0131\u015f ve bu nedenle, bu \u015fa\u015f\u0131rt\u0131c\u0131 d\u0131\u015favurumlar\u0131, bazen kendini topra\u011f\u0131n kal\u0131nl\u0131\u011f\u0131na demirleyen, bazen de yery\u00fcz\u00fcnden gelen bir ivme ile y\u00fckselerek siyah, kahverengi ve beyaz\u0131n t\u00fcm tonlar\u0131n\u0131 kat eden bir kaosu ortaya \u00e7\u0131karan bu soyutlama r\u00fczg\u00e2r\u0131n\u0131 iki ayr\u0131 mekanda ke\u015ffetmek ola\u011fan\u00fcst\u00fc ve harika bir f\u0131rsat.
Bu konudaki ilk bariz g\u00f6zlem eserlerin tekil olduklar\u0131. Laure Daviron tamamen kendine ait bir konu icat ediyor. \u00c7al\u0131\u015fmalar\u0131 herhangi bir ak\u0131m\u0131n bir par\u00e7as\u0131 de\u011fil. Resimleri insan t\u00fcr\u00fcn\u00fc g\u00f6rmezden geliyor ve d\u00fcnyan\u0131n, Yarat\u0131l\u0131\u015f\u2019\u0131n ve Tufan\u2019\u0131n gizemini ortaya koyuyor.
Bu, maddeselli\u011fin k\u0131s\u0131tlamalar\u0131ndan kurtulmu\u015f bir hayal g\u00fcc\u00fcn\u00fcn etkisi alt\u0131nda her \u015feyin yap\u0131s\u0131zla\u015ft\u0131r\u0131ld\u0131\u011f\u0131 ve yeniden in\u015fa edildi\u011fi bir z\u0131tl\u0131klar ve duyarl\u0131l\u0131k d\u00fcnyas\u0131d\u0131r. Burada \u201cger\u00e7eklik\u201d yaln\u0131zca \u201cpar\u00e7alanma\u201d ve \u201cbulutlar\u0131n\u201d hareketlerinde var olur: burada y\u00fczen \u015fey ayr\u0131\u015f\u0131r. \u00c7izgilerin ve renklerin, r\u00fczgarlar\u0131n ve dalgalar\u0131n hareketleri alt\u0131nda kaybolup gitti\u011fi, belirsiz ve kaotik g\u00f6ky\u00fcz\u00fc ve deniz, asla b\u0131kmayaca\u011f\u0131m\u0131z bir g\u00f6steri te\u015fkil eder.
Sa\u011fanaklar, f\u0131rt\u0131nalar, eziyet dolu manzaralar, sisli zirveler, ma\u011faralar hayallere d\u00f6n\u00fc\u015f\u00fcr, sadece hayal g\u00fcc\u00fcn\u00fcn iste\u011finin kaderine h\u00fckmetti\u011fi seraplar, vizyonlar d\u00fc\u015flem ve karanl\u0131\u011f\u0131n tad\u0131n\u0131 ortaya \u00e7\u0131kar\u0131r.
Karanl\u0131ktan ayd\u0131nl\u0131\u011fa. Laure Daviron\u2019a g\u00f6re, \u201cg\u00f6lgenin karma\u015f\u0131k bir yans\u0131mas\u0131\u201d olan d\u00fcnya, karanl\u0131\u011fa do\u011fru daha fazla e\u011filir; donuk bir karanl\u0131k de\u011fil, g\u00f6lgelerin ortaya \u00e7\u0131kt\u0131\u011f\u0131, konturlar\u0131n \u015fekillendi\u011fi ve \u0131\u015f\u0131\u011f\u0131n ve ya\u015fam\u0131n ba\u015flang\u0131c\u0131n\u0131 olu\u015fturan bir karanl\u0131k. Do\u011fal unsurlar\u0131n birbirine z\u0131t m\u00fccadelesinin simgesi olan gece ve g\u00fcnd\u00fcz\u00fcn sava\u015f\u0131, yery\u00fcz\u00fc ve g\u00f6ky\u00fcz\u00fcn\u00fcn, r\u00fczg\u00e2r ve denizin sava\u015f\u0131 da olabilir. Gece ayd\u0131nl\u0131kken g\u00fcne\u015f siyah olabilir. I\u015f\u0131k nereden gelir ve bu \u0131\u015f\u0131k nedir? Y\u0131ld\u0131zlar\u0131n m\u0131, g\u00fcne\u015fin mi, ay\u0131n m\u0131, yoksa geminin f\u0131rt\u0131naya kar\u015f\u0131 verdi\u011fi amans\u0131z m\u00fccadelenin \u0131\u015f\u0131\u011f\u0131 m\u0131d\u0131r? \u0130nsan\u0131n \u00f6l\u00fcme kar\u015f\u0131 m\u00fccadelesi de olabilir, \u00e7\u00fcnk\u00fc d\u00fcnyay\u0131 kavramak i\u00e7in ki\u015finin kendi \u201ckorkutucu \u0131\u015f\u0131k g\u00f6lgesine\u201d e\u011filmesi gerekir.
Laure Daviron bu g\u00f6rsel incelikleri, bu dokunu\u015f ok\u015famalar\u0131n\u0131, bu nadir n\u00fcanslar\u0131, t\u00fcm bu kromatik s\u00fcslemeleri, sadece onlarla hemen \u00e7eli\u015fki yaratmak i\u00e7in \u00e7o\u011falt\u0131yor, g\u00f6rmemizi sa\u011flamak i\u00e7in onlar\u0131n i\u00e7inden ge\u00e7en dikeyleri ve yataylar\u0131 \u00fcst \u00fcste bindiriyor, bize k\u00f6klerin yeralt\u0131 d\u00fcnyas\u0131n\u0131, sadece hayal g\u00fcc\u00fcn\u00fcn hevesinin imgenin kaderine h\u00fckmetti\u011fi bir kozmosu g\u00f6steriyor, bilincimizden ka\u00e7an bir kayg\u0131n\u0131n yolunu a\u00e7\u0131yor: g\u00f6lge ve \u0131\u015f\u0131\u011f\u0131n sonsuz alanlar\u0131nda yer alan g\u00f6r\u00fcnmeze daha iyi kavramak i\u00e7in.
Bu eserler kar\u015f\u0131s\u0131nda Nietzsche\u2019nin \u015fu s\u00f6zlerini hat\u0131rlamal\u0131y\u0131z: \u201cE\u011fer u\u00e7uruma uzun s\u00fcre bakarsan, u\u00e7urum da sana bakacakt\u0131r.\u201d
Jean-Luc Maeso
Sergi K\u00fcrat\u00f6r\u00fc<\/p>\n\n\n\n
BIYOGRAFYA<\/p>\n\n\n\n
1970 do\u011fumlu Laure Daviron, resim yapmaya on alt\u0131 ya\u015f\u0131nda Toulouse\u2019da bir suluboya sanat\u00e7\u0131s\u0131n\u0131n yan\u0131nda ba\u015flar.
Felsefe e\u011fitimi ve \u00e7al\u0131\u015fma hayat\u0131 aras\u0131nda on y\u0131l boyunca kendi ba\u015f\u0131na \u00e7al\u0131\u015f\u0131r, \u00e7e\u015fitli teknikler dener (kuru pastel, ya\u011fl\u0131 pastel, \u00e7ini m\u00fcrekkebi, kolaj, ya\u011fl\u0131boya, suluboya) ve 1992\u2019den 1995\u2019e kadar Paris\u2019teki \u201cg\u00fczel sanat at\u00f6lyelerine\u201d kat\u0131l\u0131r.
1995 ve 2008 y\u0131llar\u0131 aras\u0131nda, kendi derinliklerine inmesini sa\u011flayacak bir ara vermeye karar verir.
2009 y\u0131l\u0131nda, resim hayat\u0131na \u00f6nlenemez bir g\u00fc\u00e7 olarak geri d\u00f6ner ve \u00e7e\u015fitli teknikleri \u00f6\u011frendi\u011fi ve ya\u011fl\u0131 boya resim bilgisini geni\u015fletti\u011fi nat\u00fcralist ressam H\u00e9l\u00e8ne LEGRAND\u2019\u0131n \u00f6\u011frencisi olur.
2010 y\u0131l\u0131nda kendini tamamen resme adamaya karar verir ve 2013 y\u0131l\u0131na kadar Y\u00fcksek Sanat Okulu\u2019nda (Ecole Sup\u00e9rieure d\u2019Art) ak\u015fam at\u00f6lyelerine kat\u0131ld\u0131\u011f\u0131 Clermont-Ferrand\u2019a ta\u015f\u0131n\u0131r.<\/p>\n\n\n\n
2010 y\u0131l\u0131ndan 2015 y\u0131l\u0131na kadar \u00e7al\u0131\u015fmalar\u0131na ili\u015fkin Chamali\u00e8res\u2019deki Amac galerisideki retrospektif sergi metninden al\u0131nt\u0131lar:
Benim yolum, ruhani boyutu zemin alarak insanl\u0131k durumunun ke\u015ffine dayan\u0131yor. Bu ruhani boyut, resimsel bir kelime olarak, d\u00fcnyaya bak\u0131\u015f a\u00e7\u0131m\u0131n hem sabitli\u011fini hem de yenilenmesini yans\u0131t\u0131yor ve ger\u00e7ek ile gayri maddi aras\u0131ndaki s\u0131n\u0131rda, sorgulay\u0131c\u0131 bir yerde konumlan\u0131yor. Temalar genellikle \u015fiirsel ya da metaforik olarak i\u015fleniyor\u2026
Kar\u0131\u015f\u0131k teknikler olu\u015fturuyorum. Ka\u011f\u0131t veya tuval \u00fczerine su, ceviz m\u00fcrekkebi, \u00e7ini m\u00fcrekkebi ile ba\u015fl\u0131yorum. Sonra akrilik veya ya\u011fl\u0131 boya ile devam ediyorum. Resimlerimde pastel, kur\u015fun kalem veya di\u011fer malzemeleri de kullanabiliyorum.
2010 y\u0131l\u0131nda i\u015fledi\u011fim ilk konu d\u00fcnyan\u0131n do\u011fu\u015fuydu: formun ortaya \u00e7\u0131k\u0131\u015f\u0131, kaos ve yeniden yap\u0131lanma. Farkl\u0131 g\u00fc\u00e7leri incelemek beni z\u0131tl\u0131klar\u0131 d\u00fc\u015f\u00fcnmeye y\u00f6neltti ve bundan dolay\u0131 do\u011fal olarak, baz\u0131 metaforlar ortaya \u00e7\u0131kt\u0131. \u00dc\u00e7 y\u0131l boyunca d\u00fcnyan\u0131n derinliklerine g\u00f6m\u00fcld\u00fcm – d\u00fcnya nedir, nereden geliyor ve biz nereden geliyoruz? Bunlar dolayl\u0131 olarak farkl\u0131 formatlarda, ka\u011f\u0131t ve tuval \u00fczerine sorulan sorular oldu.
2013 y\u0131l\u0131nda, resimlerime ba\u015flamak i\u00e7in neredeyse sistematik olarak ceviz m\u00fcrekkebi ve \u00e7ini m\u00fcrekkebi kullanmaya ba\u015flad\u0131m.
Genel olarak, 2014’teki resimler somut d\u00fcnya ile soyut d\u00fcnya aras\u0131ndaki ba\u011flant\u0131y\u0131 \u015fiirsel ya da mahrem bir \u015fekilde ele al\u0131yor.
Koyu renk arka planlar\u0131 olan tuvaller, insan\u0131n derin mahremiyetini ve \u00f6teyle olan ba\u011flant\u0131s\u0131n\u0131 ele al\u0131yor. K\u00e2\u011f\u0131t \u00fczerine yap\u0131lan eserlerde hareket kavram\u0131 h\u00e2kim – evren, zaman ve ruh.
2015 y\u0131l\u0131nda, tuvalde oldu\u011fu gibi ka\u011f\u0131t \u00fczerinde de hala \u00e7al\u0131\u015fmalar var. Hareket ve ilk hareketin spontanl\u0131\u011f\u0131 devam ediyor. Burada s\u00f6z konusu olan mekan-zaman, Varl\u0131k ve (hareket temas\u0131n\u0131n devam\u0131 olarak) y\u00f6r\u00fcnge kavram\u0131. Bununla birlikte, \u015fiirsel y\u00f6n mevcut olsa da, mahrem olandan daha evrensel bir vizyon eksenine ge\u00e7iyoruz.<\/p>\n\n
Laure DavironLaure Daviron\u2019un \u00f6vg\u00fcye de\u011fer detayc\u0131l\u0131\u011f\u0131, eserlerinin nadiren sergilenmesine yol a\u00e7m\u0131\u015f ve bu nedenle, bu \u015fa\u015f\u0131rt\u0131c\u0131 d\u0131\u015favurumlar\u0131, bazen kendini topra\u011f\u0131n kal\u0131nl\u0131\u011f\u0131na demirleyen, bazen de yery\u00fcz\u00fcnden gelen bir ivme ile y\u00fckselerek siyah, kahverengi ve beyaz\u0131n t\u00fcm tonlar\u0131n\u0131 kat eden bir kaosu ortaya \u00e7\u0131karan bu soyutlama r\u00fczg\u00e2r\u0131n\u0131 iki ayr\u0131 mekanda ke\u015ffetmek ola\u011fan\u00fcst\u00fc ve harika bir f\u0131rsat.Bu konudaki … Okumaya devam et “Sergi: Laure Daviron”<\/span><\/a><\/p>\n","protected":false},"author":1,"featured_media":1050,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[8],"tags":[],"class_list":["post-1049","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-sergiler"],"_links":{"self":[{"href":"https:\/\/www.galeri-a.com.tr\/index.php\/wp-json\/wp\/v2\/posts\/1049","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.galeri-a.com.tr\/index.php\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.galeri-a.com.tr\/index.php\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.galeri-a.com.tr\/index.php\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/www.galeri-a.com.tr\/index.php\/wp-json\/wp\/v2\/comments?post=1049"}],"version-history":[{"count":1,"href":"https:\/\/www.galeri-a.com.tr\/index.php\/wp-json\/wp\/v2\/posts\/1049\/revisions"}],"predecessor-version":[{"id":1051,"href":"https:\/\/www.galeri-a.com.tr\/index.php\/wp-json\/wp\/v2\/posts\/1049\/revisions\/1051"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/www.galeri-a.com.tr\/index.php\/wp-json\/wp\/v2\/media\/1050"}],"wp:attachment":[{"href":"https:\/\/www.galeri-a.com.tr\/index.php\/wp-json\/wp\/v2\/media?parent=1049"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.galeri-a.com.tr\/index.php\/wp-json\/wp\/v2\/categories?post=1049"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.galeri-a.com.tr\/index.php\/wp-json\/wp\/v2\/tags?post=1049"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}