MEL\u0130KE \u00d6ZKARAKAHYA<\/p>\n\n\n\n
K\u0131sa \u00d6zge\u00e7mi\u015f<\/p>\n\n\n\n
Melike, \u0130zmir Anadolu G\u00fczel Sanatlar Lisesi\u2019nde ba\u015flad\u0131\u011f\u0131 resim e\u011fitimini, Marmara \u00dcniversitesi GSF Resim B\u00f6l\u00fcm\u00fc\u2018nde tamamlad\u0131. Studio Oyuncular\u0131\u2019nda Performatif Oyunculuk ve Sahneleme Y\u00f6ntemi \u00fczerine \u00e7al\u0131\u015ft\u0131. Yurt i\u00e7i ve yurt d\u0131\u015f\u0131nda plastik sanatlardan performatif sanatlara uzanan \u00e7e\u015fitli at\u00f6lyelerde yer ald\u0131. Y\u0131ld\u0131z Teknik \u00dcniversitesi Sanat ve Tasar\u0131m Fak\u00fcltesi Sanat B\u00f6l\u00fcm\u00fc\u2019nde y\u00fcksek lisans yapt\u0131. \u201cDisiplinleraras\u0131 Sanat Ba\u011flam\u0131nda Robert Rauschenberg, William Forsythe, J\u00e9r\u00f4me Bel\u2019in Eserlerinde Koreografik Nesne\u201d adl\u0131 bir tez yazd\u0131. Resim yapma prati\u011fine dayal\u0131, video-ses ve foto\u011fraf alanlar\u0131n\u0131 da i\u00e7eren \u00e7al\u0131\u015fmalar yap\u0131yor.<\/p>\n\n\n\n
Sanat Prati\u011fi Hakk\u0131nda<\/p>\n\n\n\n
Yaz\u0131: F\u0131rat Yusuf Y\u0131lmaz<\/p>\n\n\n\n
Melike\u2019nin ki\u015fisel sergisi, sanat\u00e7\u0131n\u0131n uzun s\u00fcredir devam etti\u011fi ‘resim yapma’ prati\u011fini ve ona e\u015flik eden fakat kendi i\u00e7erisinde bir o kadar da farkl\u0131la\u015fan di\u011fer \u00fcretimlerini b\u00fct\u00fcnl\u00fcyor. Kaotik denebilecek bir eforun, uzam\u0131n -zemin dahil- her aks\u0131n\u0131 kullanan bedensel jestlerin ve seri \u015fekilde olu\u015fan notasyonlar\u0131n bir arada bulundu\u011fu ‘resimleri’; resim yapman\u0131n gramerini, ana iskeletini ve temel aksiyonlar\u0131n\u0131 if\u015fa eder. Bez \u00fczerine k\u00f6m\u00fcr, pastel, akrilik, ya\u011fl\u0131 boya, kalem ve sprey boya ile yapt\u0131\u011f\u0131 hamleler, resim gelene\u011finin fig\u00fcratif ve bilgi \u00fcreten anlat\u0131m dili ile uzla\u015fmaz. Bunun yerine deneyselli\u011fi, anl\u0131k olan\u0131, d\u00fcrt\u00fcleri ve resimsel k\u0131\u015fk\u0131rtmalar\u0131 takip eder. Ham tuval bezinde serbest\u00e7e fakat agresif bir tav\u0131rla y\u00fczen sert \u00e7izgileri ve olu\u015fturdu\u011fu puslu y\u00fczey \u00fczerinden temellenen darbeleri, bedenin bo\u015flukla kurdu\u011fu ili\u015fkiyi g\u00f6r\u00fcn\u00fcr k\u0131lar. B\u00f6ylece, koreografik bir mesafelenme arac\u0131l\u0131\u011f\u0131 ile, i\u015flere bakan ki\u015finin ya\u015fad\u0131\u011f\u0131, pasif bir izleyici olma ill\u00fczyonu k\u0131r\u0131l\u0131r ve onlar\u0131 \u00fcretimdeki anlam\u0131 kendisinin \u00e7\u00f6zmesi gereken karanl\u0131k bir bilmece ile ba\u015f ba\u015fa b\u0131rak\u0131r.<\/p>\n\n\n\n
Melike, i\u015flerini olu\u015ftururken performatif ve tiyatral metodlar\u0131 y\u00fczey \u00fczerinde sistematik olarak kullan\u0131r fakat ayn\u0131 zamanda kimli\u011fini kaybetti\u011fi kaybolmalar\u0131n da pe\u015findedir. Kendi g\u00f6lgesini kulland\u0131\u011f\u0131 foto\u011fraflar\u0131 tam da bu \u00e7\u00f6z\u00fclmenin e\u015fi\u011finde duran, k\u00f6kten tamamlanmam\u0131\u015f g\u00f6r\u00fcnenlerin girift bir toplanmas\u0131 gibidir. Sanat\u00e7\u0131n\u0131n resim yaparken ki hareket an\u0131na yak\u0131n bir partisyonu AG destekli motion video sayesinde, \u00fcretime aktar\u0131lan zamansall\u0131\u011f\u0131 b\u00fct\u00fcn sekanslar\u0131yla birlikte a\u00e7\u0131\u011fa \u00e7\u0131karmakla birlikte ba\u015fl\u0131 ba\u015f\u0131na bir g\u00f6lge tiyatrosu sunar. Ge\u00e7ti\u011fimiz y\u0131l aksiyon, m\u00fczik ve formlar\u0131n seslere d\u00f6n\u00fc\u015f\u00fcm\u00fc \u00fczerine d\u00fc\u015f\u00fcn\u00fcrken olu\u015fturdu\u011fu son serisi, resmi geni\u015fletilmi\u015f bir pratik olarak ele al\u0131r. \u00dcretmi\u015f oldu\u011fu i\u015flerden yola \u00e7\u0131karak beste yapan Periklis Tsoukalas ile birlikte \u00e7al\u0131\u015farak, sesin soyut niteli\u011fini ara\u015ft\u0131r\u0131rlar. Sanat\u00e7\u0131n\u0131n disiplinleraras\u0131 yakla\u015f\u0131m\u0131, farkl\u0131 enerji d\u00fczeylerini ayn\u0131 resimlerinde oldu\u011fu gibi bir araya getirir ve \u00e7oklu anlat\u0131lara yol a\u00e7acak \u015fekilde onlar\u0131 sentezler. \u00c7al\u0131\u015fmalar\u0131na b\u00fct\u00fcnsel olarak bak\u0131ld\u0131\u011f\u0131nda, hepsi ”resim yapman\u0131n imkans\u0131zl\u0131\u011f\u0131n\u0131n ve ayn\u0131 derecede belirgin olan resim yapmaman\u0131n imkans\u0131zl\u0131\u011f\u0131n\u0131n bir g\u00f6stergesi” [1] olarak konumlan\u0131rlar.<\/p>\n\n\n\n
[1] Provisional Painting, Raphael Rubinstein, Art News, 2009, https:\/\/www.artnews.com\/art-in-america\/features\/provisional-painting-raphael-rubinstein-62792\/<\/p>\n\n
MEL\u0130KE \u00d6ZKARAKAHYA K\u0131sa \u00d6zge\u00e7mi\u015f Melike, \u0130zmir Anadolu G\u00fczel Sanatlar Lisesi\u2019nde ba\u015flad\u0131\u011f\u0131 resim e\u011fitimini, Marmara \u00dcniversitesi GSF Resim B\u00f6l\u00fcm\u00fc\u2018nde tamamlad\u0131. Studio Oyuncular\u0131\u2019nda Performatif Oyunculuk ve Sahneleme Y\u00f6ntemi \u00fczerine \u00e7al\u0131\u015ft\u0131. Yurt i\u00e7i ve yurt d\u0131\u015f\u0131nda plastik sanatlardan performatif sanatlara uzanan \u00e7e\u015fitli at\u00f6lyelerde yer ald\u0131. Y\u0131ld\u0131z Teknik \u00dcniversitesi Sanat ve Tasar\u0131m Fak\u00fcltesi Sanat B\u00f6l\u00fcm\u00fc\u2019nde y\u00fcksek lisans yapt\u0131. \u201cDisiplinleraras\u0131 … Okumaya devam et “Sergi: Melike”<\/span><\/a><\/p>\n","protected":false},"author":1,"featured_media":1031,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[8],"tags":[],"class_list":["post-1030","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-sergiler"],"_links":{"self":[{"href":"https:\/\/www.galeri-a.com.tr\/index.php\/wp-json\/wp\/v2\/posts\/1030","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.galeri-a.com.tr\/index.php\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.galeri-a.com.tr\/index.php\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.galeri-a.com.tr\/index.php\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/www.galeri-a.com.tr\/index.php\/wp-json\/wp\/v2\/comments?post=1030"}],"version-history":[{"count":1,"href":"https:\/\/www.galeri-a.com.tr\/index.php\/wp-json\/wp\/v2\/posts\/1030\/revisions"}],"predecessor-version":[{"id":1032,"href":"https:\/\/www.galeri-a.com.tr\/index.php\/wp-json\/wp\/v2\/posts\/1030\/revisions\/1032"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/www.galeri-a.com.tr\/index.php\/wp-json\/wp\/v2\/media\/1031"}],"wp:attachment":[{"href":"https:\/\/www.galeri-a.com.tr\/index.php\/wp-json\/wp\/v2\/media?parent=1030"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.galeri-a.com.tr\/index.php\/wp-json\/wp\/v2\/categories?post=1030"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.galeri-a.com.tr\/index.php\/wp-json\/wp\/v2\/tags?post=1030"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}