{"id":1022,"date":"2023-09-15T16:57:52","date_gmt":"2023-09-15T13:57:52","guid":{"rendered":"http:\/\/www.galeri-a.com.tr\/?p=1022"},"modified":"2023-09-15T16:57:53","modified_gmt":"2023-09-15T13:57:53","slug":"sergi-elsa-ve-marceller-le-systeme-m","status":"publish","type":"post","link":"https:\/\/www.galeri-a.com.tr\/index.php\/2023\/09\/15\/sergi-elsa-ve-marceller-le-systeme-m\/","title":{"rendered":"SERG\u0130 : ELSA ve MARCEL\u2019LER &#8211; \u201cLe Syst\u00e8me M\u201d"},"content":{"rendered":"\n<p>Le Syst\u00e8me M, Elsa ve Marcel\u2019ler sergisi, bir iz s\u00fcrme ve yeniden \u00fcretme \u00e7al\u0131\u015fmas\u0131d\u0131r. Bu \u00e7al\u0131\u015fmada, Berlin, Arkonaplatz bit pazar\u0131ndan al\u0131nan siyah bir kutudan \u00e7\u0131kan metinler, eskizler ve belgeler merkeze al\u0131narak sanat\u00e7\u0131 Elizabeth Albertine von Dasein (ger\u00e7ek ad\u0131 Elizabeth Freytag) \u2018\u0131n 1966 &#8211; 1982 y\u0131llar\u0131ndaki \u00fcretimleri yeniden kurgulanm\u0131\u015ft\u0131r. Ara\u015ft\u0131rmac\u0131, k\u00fcrat\u00f6r, sanat\u00e7\u0131 rollerinin s\u0131kl\u0131kla yer de\u011fi\u015ftirdi\u011fi serginin \u00fcretim s\u00fcrecinde, siyah kutudan \u00e7\u0131kan \u00e7o\u011fu belgede referans verilen &#8220;M Sistemi&#8221; anla\u015f\u0131lmaya \u00e7al\u0131\u015f\u0131lm\u0131\u015ft\u0131r. Dadac\u0131 kelime oyunlar\u0131, alayc\u0131l\u0131k ve anlams\u0131zl\u0131kla, sanatsal \u00fcretim ve yeniden \u00fcretim \u00fczerine yaz\u0131lm\u0131\u015f bir kolaj \u015fiir olan Le Systeme M, Elsa\u2019n\u0131n \u00e7al\u0131\u015fmalar\u0131n\u0131n merkezine Marcel\u2019leri yerle\u015ftirir. Kutudan \u00e7\u0131kan di\u011fer belgelerde de, Marcel Proust, Marcel Duchamp ve Marcel Broodthaers\u2019a do\u011frudan ve dolayl\u0131 pek \u00e7ok referansa rastlan\u0131r. Bu nedenle sergide yer alan eserler, Elizabeth A. von Dasein (E. Freytag)\u2019\u0131n Marcel\u2019lere yapt\u0131\u011f\u0131 yolculu\u011funun izini s\u00fcrer.<br>Elsa\u2019n\u0131n ya da ger\u00e7ek ad\u0131yla Elizabeth Freytag\u2019\u0131n, ya\u015fam \u00f6yk\u00fcs\u00fc tam olarak bilinmemektedir. Broodthaers\u2019la kar\u015f\u0131l\u0131kl\u0131 telgraflar\u0131 olsa da notlarda ya da mektuplarda tan\u0131\u015f\u0131kl\u0131klar\u0131na dair bir ibare yer almaz. D\u00fcnya Sava\u015flar\u0131 nedeniyle ailesinin pek \u00e7ok kere g\u00f6\u00e7 etti\u011fi bu nedenle de kendisinin Almanya, Hollanda, Bel\u00e7ika ve \u0130ngiltere&#8217;de ya\u015fad\u0131\u011f\u0131 anla\u015f\u0131lmaktad\u0131r. Mektuplar\u0131ndan birinde de bahsetti\u011fi \u00fczere 1986\u2019dan sonra Meksika Cancun b\u00f6lgesine yerle\u015fmi\u015f olabilece\u011fi tahmin edilmektedir.<\/p>\n\n\n\n<p>\u00d6zg\u00fcl K\u0131l\u0131n\u00e7arslan&#8217;\u0131n, 2017 -2023 y\u0131llar\u0131 aras\u0131nda yapt\u0131\u011f\u0131 ara\u015ft\u0131rmalar\u0131n ve \u00fcretimlerin yer ald\u0131\u011f\u0131 bu sergide, Elizabeth Freytag&#8217;\u0131n bir d\u00f6nemine ait \u00e7al\u0131\u015fmalar\u0131 yeniden \u00fcretilmi\u015ftir. Elsa&#8217;n\u0131n, Marcel&#8217;lerin sanat g\u00f6r\u00fc\u015flerini ve \u00e7al\u0131\u015fmalar\u0131n\u0131 merkeze ald\u0131\u011f\u0131 eskizleri ve notlar\u0131 sergiye kaynakl\u0131k etmi\u015ftir. Siyah kutudan \u00e7\u0131kan notlarda, Marcel Proust&#8217;un Kay\u0131p Zaman\u0131n \u0130zinde serisinden sanat, hayat ve insan psikolojisiyle ile ilgili bir\u00e7ok al\u0131nt\u0131ya rastlanm\u0131\u015ft\u0131r. Duchamp&#8217;\u0131n Bek\u00e2rlar\u0131 Taraf\u0131ndan \u00c7\u0131r\u0131l\u00e7\u0131plak Soyulmu\u015f Gelin i\u00e7in yazd\u0131\u011f\u0131 notlara, ortaya att\u0131\u011f\u0131 \u00e7\u00f6z\u00fcms\u00fcz satran\u00e7 problemine ili\u015fkin al\u0131nt\u0131lar\u0131n yan\u0131 s\u0131ra, sanat ve hayat ili\u015fkisi, haz\u0131r yap\u0131t, metin -imge gibi konulardaki yakla\u015f\u0131mlar\u0131na dair Elsa&#8217;n\u0131n k\u0131sa yorumlar\u0131ndan yararlan\u0131lm\u0131\u015ft\u0131r.T\u0131pk\u0131 Broodthaers&#8217;in Un coup de d\u00e9s jamais n&#8217;abolira le hasard (Bir zar at\u0131\u015f\u0131 asla \u015fans\u0131 ortadan kald\u0131rmaz) adl\u0131 eserinde oldu\u011fu gibi, Elsa&#8217;n\u0131n sanatsal tavr\u0131nda edebiyat ve sanat tarihine g\u00f6nderme yapan reprod\u00fcksiyonlar\u0131n belirleyici rol\u00fc bu sergide yer alan eserlerde de korunuyor.<\/p>\n\n\n\n<p>\u00d6zg\u00fcl KILIN\u00c7ARSLAN<br>2002 y\u0131l\u0131nda Dokuz Eyl\u00fcl \u00dcniversitesi G\u00fczel Sanatlar E\u011fitimi B\u00f6l\u00fcm\u00fc&#8217;nden mezun oldu. 2007 y\u0131l\u0131nda DEU G\u00fczel Sanatlar Enstit\u00fcs\u00fc Resim B\u00f6l\u00fcm\u00fcnde Y\u00fcksek Lisans, 2013 y\u0131l\u0131nda Sanatta Yeterlik e\u011fitimini tamamlad\u0131. 2013 y\u0131l\u0131 g\u00fcz d\u00f6neminde DAAD (Deutscher Akademischer Austauschdienst) Alman Akademik De\u011fi\u015fim ara\u015ft\u0131rma bursuyla UdK (Universit\u00e4t der K\u00fcnste Berlin) Art in Context Enstit\u00fcs\u00fc\u2019nde misafir ara\u015ft\u0131rmac\u0131 olarak \u00e7al\u0131\u015ft\u0131. 2005 \u2013 2013 y\u0131llar\u0131 aras\u0131nda DEU G\u00fczel Sanatlar Fak\u00fcltesi Resim B\u00f6l\u00fcm\u00fc\u2019nde ara\u015ft\u0131rma g\u00f6revlisi ve 2014 \u2013 2018 y\u0131llar\u0131 aras\u0131nda MK\u00dc G\u00fczel Sanatlar Fak\u00fcltesi Grafik B\u00f6l\u00fcm\u00fc\u2019nde dr. \u00f6\u011fr. \u00fcyesi olarak ve \u00e7e\u015fitli idari pozisyonlarda \u00e7al\u0131\u015ft\u0131. Halen, \u0130zmir Ekonomi \u00dcniversitesi, G\u00fczel Sanatlar ve Tasar\u0131m Fak\u00fcltesi, G\u00f6rsel \u0130leti\u015fim Tasar\u0131m\u0131 B\u00f6l\u00fcm\u00fc\u2019nde b\u00f6l\u00fcm ba\u015fkan\u0131 olarak<br>\u00e7al\u0131\u015fmaktad\u0131r.<br>Sanat\u00e7\u0131 ve k\u00fcrat\u00f6r olarak \u0130zmir, \u0130stanbul ve Finlandiya\u2019da \u00e7e\u015fitli sergilerde yer alm\u0131\u015ft\u0131r. Edebiyat ve g\u00f6rsel sanatlar ili\u015fkisi \u00fczerine yapt\u0131\u011f\u0131 \u00e7al\u0131\u015fmalar\u0131n\u0131n yan\u0131 s\u0131ra Art Unlimited, Milliyet Sanat, Warhola ve \u0130stanbul Art News vb. sanat dergilerinde yaz\u0131lar\u0131 yay\u0131mlanmaktad\u0131r. KARANT\u0130NA ve Dahili Bellek sanat inisiyatiflerinin kurucusudur. T\u00fcrkiye\u2019de k\u00fclt\u00fcr sanat ve ona kom\u015fu alanlarda \u00e7al\u0131\u015fan ba\u011f\u0131ms\u0131z organizasyonlar\u0131n g\u00f6r\u00fcn\u00fcrl\u00fc\u011f\u00fcn\u00fc art\u0131rmay\u0131 ama\u00e7layan BA\u011eIMSIZLAR (Bagimsizlar.org) proje ekibinde yer almaktad\u0131r.<\/p>\n\n<div class=\"twitter-share\"><a href=\"https:\/\/twitter.com\/intent\/tweet?via=galeri_a_izmir\" class=\"twitter-share-button\">Tweet<\/a><\/div>\n","protected":false},"excerpt":{"rendered":"<p>Le Syst\u00e8me M, Elsa ve Marcel\u2019ler sergisi, bir iz s\u00fcrme ve yeniden \u00fcretme \u00e7al\u0131\u015fmas\u0131d\u0131r. Bu \u00e7al\u0131\u015fmada, Berlin, Arkonaplatz bit pazar\u0131ndan al\u0131nan siyah bir kutudan \u00e7\u0131kan metinler, eskizler ve belgeler merkeze al\u0131narak sanat\u00e7\u0131 Elizabeth Albertine von Dasein (ger\u00e7ek ad\u0131 Elizabeth Freytag) \u2018\u0131n 1966 &#8211; 1982 y\u0131llar\u0131ndaki \u00fcretimleri yeniden kurgulanm\u0131\u015ft\u0131r. Ara\u015ft\u0131rmac\u0131, k\u00fcrat\u00f6r, sanat\u00e7\u0131 rollerinin s\u0131kl\u0131kla yer de\u011fi\u015ftirdi\u011fi &hellip; <a href=\"https:\/\/www.galeri-a.com.tr\/index.php\/2023\/09\/15\/sergi-elsa-ve-marceller-le-systeme-m\/\" class=\"more-link\">Okumaya devam et<span class=\"screen-reader-text\"> &#8220;SERG\u0130 : ELSA ve MARCEL\u2019LER &#8211; \u201cLe Syst\u00e8me M\u201d&#8221;<\/span><\/a><\/p>\n","protected":false},"author":1,"featured_media":1023,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[8],"tags":[],"class_list":["post-1022","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-sergiler"],"_links":{"self":[{"href":"https:\/\/www.galeri-a.com.tr\/index.php\/wp-json\/wp\/v2\/posts\/1022","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.galeri-a.com.tr\/index.php\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.galeri-a.com.tr\/index.php\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.galeri-a.com.tr\/index.php\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/www.galeri-a.com.tr\/index.php\/wp-json\/wp\/v2\/comments?post=1022"}],"version-history":[{"count":1,"href":"https:\/\/www.galeri-a.com.tr\/index.php\/wp-json\/wp\/v2\/posts\/1022\/revisions"}],"predecessor-version":[{"id":1024,"href":"https:\/\/www.galeri-a.com.tr\/index.php\/wp-json\/wp\/v2\/posts\/1022\/revisions\/1024"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/www.galeri-a.com.tr\/index.php\/wp-json\/wp\/v2\/media\/1023"}],"wp:attachment":[{"href":"https:\/\/www.galeri-a.com.tr\/index.php\/wp-json\/wp\/v2\/media?parent=1022"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.galeri-a.com.tr\/index.php\/wp-json\/wp\/v2\/categories?post=1022"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.galeri-a.com.tr\/index.php\/wp-json\/wp\/v2\/tags?post=1022"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}