Uykudan S\u0131zmak<\/p>\n\n\n\n
Uykudan S\u0131zmak sergisi ger\u00e7ekle hayal, uykuyla uyan\u0131kl\u0131k aras\u0131ndaki bilin\u00e7 halleriyle ilgilidir. Suyun y\u00fczeyiyle bilincin y\u00fczeyi aras\u0131nda bir ba\u011flant\u0131 aray\u0131\u015f\u0131d\u0131r. S\u0131zmak: Hem uyuyakalma, hem de s\u0131v\u0131n\u0131n ince aral\u0131klardan, g\u00f6zeneklerden az miktarda ve yava\u015f yava\u015f bir yerden bir yere ge\u00e7mesi. Su s\u0131zar. Uykuya dalarken ve (uykuya) s\u0131zarken hem beden, hem de d\u00fc\u015f\u00fcnceler suyla benzer bir duruma ge\u00e7er. Bilin\u00e7d\u0131\u015f\u0131na, sessizli\u011fe, dinlenmeye y\u00f6nlenir. Uykudan S\u0131zmak, ki\u015finin uykuya dalarak bilin\u00e7sizlik durumuna giri\u015finden \u00e7ok, o durumdan d\u0131\u015far\u0131, uyan\u0131kl\u0131k haline \u00e7\u0131kmas\u0131na i\u015faret eder.<\/p>\n\n\n\n
Uykuya da suya da dalarak gireriz. Birinde suyun, di\u011ferinde bilincin alt\u0131na. \u0130kisinde de yatay\u0131z. Sergi, suyun y\u00fczeyine \u00e7\u0131k\u0131\u015f, bilin\u00e7alt\u0131n\u0131n bilince d\u00f6n\u00fc\u015fme ve uyku halinden d\u0131\u015far\u0131 s\u0131zma anlar\u0131n\u0131n duygusundan yola \u00e7\u0131k\u0131yor. Uykudan neler s\u0131zabilir? R\u00fcya s\u0131zabilir. Binlerce y\u0131ll\u0131k toplumsal haf\u0131za, genlerimize ve i\u00e7imize i\u015flenmi\u015f ya\u015fanm\u0131\u015fl\u0131klar silsilesi, kendimizden bile saklad\u0131\u011f\u0131m\u0131z g\u00f6lgemiz s\u0131zabilir. Belki bilince de\u011fil, bilincin daha derin alt\u0131na, uykunun bir katman derinine dal\u0131yoruzdur. R\u00fcya g\u00f6rmek yarat\u0131ma dahil olmak, hayat\u0131m\u0131z i\u00e7in daha iyi bir hikaye yazmakt\u0131r. Uykudan bilince s\u0131zanlar, wikileaks\u2019in gizli bilgileri s\u0131zd\u0131rd\u0131\u011f\u0131 gibi, bize bizim ger\u00e7ekli\u011fimizi s\u0131zd\u0131r\u0131r. Tepsiyle sunmaz. \u0130pu\u00e7lar\u0131n\u0131 damla damla verir. R\u00fcyalar\u0131m\u0131z\u0131n ba\u015f\u0131n\u0131 ve sonunu hat\u0131rlamamam\u0131za, hatta olaylar\u0131n s\u0131ralamas\u0131n\u0131 kar\u0131\u015ft\u0131rmam\u0131za ra\u011fmen r\u00fcyan\u0131n hissi uyand\u0131\u011f\u0131m\u0131zda bizimle kal\u0131r. G\u00f6z\u00fcm\u00fcz\u00fcn \u00f6n\u00fcnde olmayan sakl\u0131 evrenin hissiyle sudan \u00e7\u0131kar gibi uyan\u0131r\u0131z.<\/p>\n\n\n\n
Biyografi<\/p>\n\n\n\n
Sevgi Aka kavramsal sanat\u00e7\u0131 ve \u00f6\u011fretim \u00fcyesidir. Yerle\u015ftirme, heykel, video ve foto\u011fraf \u00e7al\u0131\u015fmalar\u0131 potansiyel sunan fiziksel ve kavramsal yokluklara e\u011filir. Celaya, Meksika’da sanat tarihi, \u0130stanbul, Milano ve Chicago’da g\u00f6rsel sanatlar okudu. Sanatta Yeterlili\u011fini \u0130zmir\u2019de yapt\u0131. Kat\u0131ld\u0131\u011f\u0131 son sergiler aras\u0131nda, Arton, Bar\u0131n Han ve Yap\u0131kredi K\u00fclt\u00fcr Sanat, \u0130stanbul bulunur. 2022\u2019de Balinan\u0131n Karn\u0131 isimli mekana \u00f6zg\u00fc yerle\u015ftirmesini sergiledi. \u201cMiscommunication: Transmission of Information Through the Letters of Shadow Puppets\u201d makalesi Routledge Yay\u0131nevinde yay\u0131nland\u0131. Uzun y\u0131llar b\u00fcy\u00fck \u00f6l\u00e7ekli sergi haz\u0131rl\u0131k s\u00fcre\u00e7lerinde \u00e7al\u0131\u015ft\u0131ktan sonra 2020\u2019den beri \u0130stanbul Topkap\u0131 \u00dcniversitesi\u2019nde Dr. \u00d6\u011fretim \u00dcyesi olarak g\u00f6rsel sanatlar dersleri vermektedir.<\/p>\n\n
Uykudan S\u0131zmak Uykudan S\u0131zmak sergisi ger\u00e7ekle hayal, uykuyla uyan\u0131kl\u0131k aras\u0131ndaki bilin\u00e7 halleriyle ilgilidir. Suyun y\u00fczeyiyle bilincin y\u00fczeyi aras\u0131nda bir ba\u011flant\u0131 aray\u0131\u015f\u0131d\u0131r. S\u0131zmak: Hem uyuyakalma, hem de s\u0131v\u0131n\u0131n ince aral\u0131klardan, g\u00f6zeneklerden az miktarda ve yava\u015f yava\u015f bir yerden bir yere ge\u00e7mesi. Su s\u0131zar. Uykuya dalarken ve (uykuya) s\u0131zarken hem beden, hem de d\u00fc\u015f\u00fcnceler suyla benzer bir duruma ge\u00e7er. … Okumaya devam et “Uykudan S\u0131zmak- Sevgi Aka”<\/span><\/a><\/p>\n","protected":false},"author":1,"featured_media":1002,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[8],"tags":[],"class_list":["post-1001","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-sergiler"],"_links":{"self":[{"href":"https:\/\/www.galeri-a.com.tr\/index.php\/wp-json\/wp\/v2\/posts\/1001","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.galeri-a.com.tr\/index.php\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.galeri-a.com.tr\/index.php\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.galeri-a.com.tr\/index.php\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/www.galeri-a.com.tr\/index.php\/wp-json\/wp\/v2\/comments?post=1001"}],"version-history":[{"count":1,"href":"https:\/\/www.galeri-a.com.tr\/index.php\/wp-json\/wp\/v2\/posts\/1001\/revisions"}],"predecessor-version":[{"id":1003,"href":"https:\/\/www.galeri-a.com.tr\/index.php\/wp-json\/wp\/v2\/posts\/1001\/revisions\/1003"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/www.galeri-a.com.tr\/index.php\/wp-json\/wp\/v2\/media\/1002"}],"wp:attachment":[{"href":"https:\/\/www.galeri-a.com.tr\/index.php\/wp-json\/wp\/v2\/media?parent=1001"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.galeri-a.com.tr\/index.php\/wp-json\/wp\/v2\/categories?post=1001"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.galeri-a.com.tr\/index.php\/wp-json\/wp\/v2\/tags?post=1001"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}